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Stay tuned for Harvard's official response to the show. As of Friday afternoon, medical school spokesman David J. Cameron wrote that he was "working to find out more" about the show...
...Rehab,” “Don’t Stop Believin’,” “Somebody to Love” – but this is one of the best numbers we’ve seen on the show. The sequence is a film unto itself: the use of diagetic and non-diegetic music, the use of the stage and its wings, the amount of information imparted without a single line of dialogue. It’s a heartbreaking, wordless little story with great choreography...
...were also impressed by the episode’s treatment of minorities and outcasts, which, while central to the show, isn’t always handled well. We definitely cringed when Becky was introduced but were glad when the episode ended without a joke at her expense. Meanwhile, we liked the way the creators expanded Artie’s character and showcased his abilities without damaging the character in the process. Kevin McHale is rumored to be one of the cast’s most talented dancers, and given his vocal aptitude and how funny he is the behind...
...only criticism of this episode is how Becky is introduced, and as usual, we feel a need to gripe about how fast some plots occur on this show. We meet her; then two scenes later she’s a plot point...
...derangement (desperate Terri, lonely Sue) or at the least false personalities (Tina retreats behind a stutter, Sue adopts an aggressive mask as a bully). It’s a world where everyone is coping, and where performances are an escape. Yet with all the underlying sadness and frustration, the show achieves hilarity. The slapstick montage of the students getting used to their wheelchairs comes to mind, and this angsty episode saves room for some quiet, simple moments of joy, like Quinn and Puck’s adorable food fight...