Word: shrek
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...Chenoweth gets excellent support from the two comic leads: the giant, sweetly Shrek-like Chamberlin and the smaller Christopher Fitzgerald, who makes me think of Sean Penn reconfigured as a tummeling song-and-dance man. I also liked the unaffected geniality of Shonn Wiley and was dazzled to submission by Kendrick Jones, tap-dancer supreme and a handsome charmer, if I may say, to boot...
...fact, the strongest moments in Shrek the Third come when it steps back from the frantic pop-culture name dropping of Shrek 2 and you realize that its Grimm parodies have become fleshed-out characters in their own right. In August, Paramount releases Stardust, an adaptation of a Neil Gaiman novel about a nerdy 19th century lad who ventures from England to a magical land to retrieve a fallen star. The live-action movie covers many of the same themes as the ubiquitous cartoon parodies--be yourself, don't trust appearances, women can be heroic too. But it creates...
Tweaking fairy tales also allows moviemakers to tell stories about themselves without boring us. The Shrek movies are full of inside jokes (the kingdom of Far Far Away is essentially Beverly Hills; the first villain was widely seen as a stand-in for then Disney chief Michael Eisner). Fairy-tale parodies are safe rebellions, spoofing formulas and feel-good endings while still providing the ride into the sunset that pays the bills. In Happily N'Ever After, a wizard runs a "Department of Fairy-tale-land Security," seeing to it that each story--Rapunzel, Rumpelstiltskin, etc.--hews to the book...
Sound like a formula to you? What these stories are reacting against is not so much fairy tales in general as the specific, saccharine Disney kind, which sanitized the far-darker originals. (As did Shrek, by the way. In the William Steig book, the ogre is way more brutal, scary and ... ogreish.) But the puncturing of the Disney style is in danger of becoming a cliché itself. The pattern--set up, then puncture, set up, then puncture--is so relentless that it inoculates the audience against being spellbound, training them to wait for the other shoe to drop whenever they...
...feel like a traitor to my fellow parents for even saying this. These movies are made in part for me: a socially progressive, irony-friendly Gen Xer with rug rats. I thought Hoodwinked! and most of the Shrek series were hilarious, and God knows I don't want to go back to the days of suffering with my kids through a long, slow pour of Uncle Walt's wholesome syrup. But even if you ultimately reject their messages, old-school fairy tales are part of our cultural vocabulary. There's something a little sad about kids growing...