Word: shrewed
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Kiss Me Kate is a great Cole Porter show, about and including large chunks of a Baltimore tryout for a Broadway Taming of the Shrew, not to mention a score that culminates in "Brush Up Your Shakespeare." The Loeb's production isn't outstanding, exactly, but I guess it's acceptable. 8 at the Loeb...
...shrew, and not the camel...
...that is all lever knew, Or wish to know, about the shrew...
...fact, by the time everything comes together, somewhere around "Brush Up Your Shakespeare," the show is bordering on high comedy. And I guess maybe a case could be made for occasional tediousness as authenticity: "a very excellent piece of work," the lone spectator in the original Taming of the Shrew remarks halfway through, "would 'twere over...
...parts in the Loeb's production are competently filled, the scenes from The Taming of the Shrew which the show's company is readying for New York, faring better, on the whole, than the ones from whenever the show took place before director Josh Rubins updated its topical references. Paul Seltzer and Andy Cadiff do well by the Shakespeare-quoting thugs who keep Deanne McKinstry from walking out of the show, and Carol Dines does a fine job with her big number, the one about how if a Harris pat means a Paris hat, she'll just be faithful...