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...opera in English for operatic pin money. With a budget of $9,000 (mostly for sets, etc.) and a cast of home-town talent, townsmen rolled up their sleeves and mounted a three-acter by U.S. Composer Vittorio Giannini, based on Shakespeare's Taming of the Shrew...

Author: /time Magazine | Title: Music: New Shrew in Cincinnati | 2/9/1953 | See Source »

Giannini's Shrew was a joint enterprise for the Cincinnati Symphony Orchestra and the city's Music-Drama Guild, whose singers sang without pay. Shrew Katharina was sung by Dorothy Short, an insurance agent, Husband Petruchio by Robert Kircher, a professional trombone player. "The important thing," said Symphony Conductor Thor Johnson, "was to give all segments of the community a chance to take part...

Author: /time Magazine | Title: Music: New Shrew in Cincinnati | 2/9/1953 | See Source »

Most of Thurber's forebears were long-lived and the men were men, not the modern shrew-ridden neurosis carriers of the Thurber cartoons. In his 70s, Great-Grandfather Fisher could lift 200 lbs. over his head. When he died at 77, his hair was black and he had "all his own teeth in his head, too-all except one. That'd been knocked out with a brick in a fight." Toward the end, he came to look at a newborn great-grandchild, "a puny boy weighing seven pounds." "Goddam it," he said, "the next generation of Fishers...

Author: /time Magazine | Title: Books: Sincerely Yours | 6/2/1952 | See Source »

Although Shakespeare might turn over in his grave if he could see what happened to his "The Taming of the Shrew." audiences are still enjoying Cole Porter's gay musical after to years of popularity. While it was still a Broadway success, producers Saint Suber and Lemuel Ayers organized a national company of "Kiss Me Kate" and brought it to 54 cities in the United States and Canada. Now this charming bit of fantasy is back in Boston to haunt theater-goers with its hit tunes and exotic settings...

Author: By Malcolm D. Rivkin, | Title: The Playgoer | 9/28/1951 | See Source »

What was basically a hackneyed plot--boy has girl, boy loses girl, boy gets girl back--is saved by a play within a play. Director John C. Wilson has combined the best scenes from "The Taming of the Shrew" with Porter's music and some exciting choreography by Hanya Holm to make a highly entertaining show. Lemuel Ayers' costumes and settings are not only magnificent but give the production a light pastel touch which keeps it from being the usually garish musical comedy...

Author: By Malcolm D. Rivkin, | Title: The Playgoer | 9/28/1951 | See Source »

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