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...conducting, opened with the full chorus singing Hassler's Cantate Domino from Sacri Concentus. For such a large group, the girls appeared excellently drilled. The Choral Society did not fare so well for most of the remainder of the evening, the Sopranos in particular being somewhat thin and ofttimes shrill. The group sang Mabel Daniels' new Carol of a Rose. The selection, with words from a fifteenth century Flemish poem, was quite unexciting. The highpoint of the Choral Society's performance was a full and lively rendition of Schubert's Valses Nobles, Op. 77. The first sopranos maintained a pleasant...

Author: By Robert H. Sand, | Title: Song and Dance | 11/22/1957 | See Source »

...only cure for such a situation, according to Parkinson, is the old Trojan Horse ploy: "An individual of merit penetrates the outer defenses . . . babbling about golf and giggling feebly, losing documents and forgetting names . . . Only when he has reached high rank does he suddenly throw off the mask . . . With shrill screams of dismay the high executives find ability right there in the midst of them...

Author: /time Magazine | Title: Books: Org's Ogre | 10/28/1957 | See Source »

...mostly on Nietzsche's inversion of all Christian values, with an admixture of Adam Smith economics and David Hume ethics, both carried to absurd extremes. The greatest sin is following the Sermon on the Mount. Selfishness is the highest good, the spirit of sacrifice the worst evil. In shrill outcry against government and religion, Author Rand defines taxes as "protection money" paid to "gangsters," and the doctrine of Original Sin as responsible for destroying Man's "reason, morality, creativeness, joy." She frenetically tries to spiritualize materialism-to set up a kind of materialist morality in which "money...

Author: /time Magazine | Title: Books: The Solid-Gold Dollar Sign | 10/14/1957 | See Source »

...taking a high shine to popular singers in jumbo productions. In fact, the TV season threatens to be, in the phrase of one critic, a case of "the bland leading the bland." TV's Pepsi-Cola girl, Polly Bergen, got mired down in embarrassingly labored exchanges with a shrill, scenery-chewing "panel" of other show folk, and only when she used her high but lilty voice did her seductive talents poke through. The Hit Parade was back (in stunning color for the 200,000 color-set owners), with a bevy of new performers led by young, moist-eyed Jill...

Author: /time Magazine | Title: Television: Review | 10/7/1957 | See Source »

Intended as satire, King's few funny spots are outweighed by shrill invective and heavy-footed propaganda. King Shahdov of Estrovia (Chaplin) arrives in New York seeking refuge from a revolutionary mob. As he chants the praises of American freedom, immigration authorities take his fingerprints. Though the little mustache, baggy pants and cane are gone, flashes of the old Chaplin illuminate the screen as he pokes fun at rock 'n' roll, Hollywood movies ("The Killer with a Soul . . . You'll love him . . . Bring the family"), the wide screen, blaring jazz bands, TV commercials. But before long...

Author: /time Magazine | Title: Cinema: The Unfunny Comic | 9/23/1957 | See Source »

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