Word: shrillings
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...Oresteia” is excellent. Jack E. Fishburn’s ’08 Agamemnon is riveting in his tortured grandeur; his rage and despair tears through the scenery. As Clytemnestra, Erica R. Lipez ’05 swings plausibly from vengeance-crazed virago to shrill housewife (one of the production’s conceits is the coy use of Americana nuclear-family trappings). Lauren L. Jackson ’07, as the Leader of the Furies, exudes menace and dances wonderfully; Scottie Thompson ’05, as the doomed Trojan seer Cassandra, is eerie and compelling. Sara...
...excellence reaches beyond the lead performances. Michael B. Hoagland ’07 convincingly expands his range to include perverse bloodlust as Orestes, though Carla M. Borras ’05 re-deploys her penchant for the shrill as his sister Elektra. In fact, Borras strikes an incredibly emotional chord in addressing, in her Yorick-style, the head of her slain stepfather; however, despite her wit elsewhere, Borras really could ratchet down the decibel level and spread her laudable energy a little more thinly...
...companies in countries that do not care much for human rights and are willing to make a quick buck without competition. Boycotts and divestment are meaningless unless there are harsh penalties for not complying. “Harsh penalties” generally mean government sanctions and not the shrill cries (or silent protest) of college students several thousand miles away...
Even by the sometimes shrill standards of the New York Post, the headline seemed lurid: CHILLING DISCOVERY AFTER MANIAC'S THREAT: PLUTONIUM IN CITY'S WATER. Have New York City's 7 million residents been imbibing water that is laced with nuclear-reactor fuel...
When Joe Orton’s “What the Butler Saw” was first performed in 1969, the audience response—all shrill booing and ripped programs—might have been expected. After all, this is a sex comedy with a major subplot centered on the missing penis of Winston Churchill. Three decades later, when even the bawdiest wordplay lands you a PG-13, “What the Butler Saw” is now appreciated as Orton’s, ahem, seminal work. The play uses uncouth sexual humor to create a farce that...