Word: shrills
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Dates: during 1990-1999
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...singer for the Pietasters, all too often comes off as a poor man's Dicky Barrett. While Barrett of the Bosstones can pull off a scratchy, cigarette-tarnished voice, Jackson instills a pain rarely felt. Not since Biz Markie crooning, "Just a Friend," has there been a more shrill and annoying voice. It's a shame, too, for Jackson overpowers the superb effort put out by the band's horn section...
Director Nick Cassavetes is less a full-fledged auteur here than a cheerleader and referee, keeping the stars fighting without biting. Wright, like Maureen, is game for any outsize challenge, but her bantam desperation sounds shrill; at times she is overrun by the wild gestures that seize Maureen. Travolta, though, balances nicely on a seesaw of caring and exasperation; and Penn has every garish shade of Eddie in his palette. He gets the pain, charm and drive, the stumbling humor of a guy whose only religion is the woman who betrayed him. He turns a jerk into a heroic figure...
...unknown until five months ago, Kabila's name has now become a household word. His face is emblazoned on the front page of newspapers all over Zaire, often accompanied by shrill headlines like THE BEGINNING OF THE END! At colleges in the capital, students have scrawled his name in chalk on the doors of their dorm rooms. The entire country appears to be monitoring his progress with a near religious sense of anticipation. "We are all just waiting for Kabila," declares one woman in Kinshasa. "He is like Jesus Christ...
...Rishi, tenors, and Paul Guttry and David Ripley, bass--were superb as well. Hargis was particularly impressive; she is a specialist in pre-Baroque music, and it shows. She captured the Renaissance style perfectly, demonstrating complete control over her voice so that there was no excessive vibrato, yet no shrill tone. Also greatly enjoyable was the tenor dialogue in the Audi coelum (IX), in which Hite sang his responses to Kelley from the balcony...
...much-diminished Hjalmer in Werle's house: timid, awkward, and ill at ease, he's out of his element when not within his own walls. And when those walls come crashing down after Gregers' intrusion, we see Hjalmer's lordly complacency degenerate into frazzled nerves and shrill paranoia, all deftly portrayed by LeBow. Gregers himself is another such object, on one level fit only for ridicule with his self-righteous obstinacy and his utter blindness to Hjalmer's failings. But again the alternative view from the first act of Gregers both upbraiding and cringing from his father reveals...