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Musetta in Puccini's Boheme should be a kittenish, sweet-voiced soubrette. Italian Soprano Augusta Oltrabella, making her debut at Manhattan's Metropolitan Opera House, was kittenish enough but her voice was frequently hard, shrill, piercing...

Author: /time Magazine | Title: Music: Strings | 12/2/1929 | See Source »

...characters, Romance of the Rio Grande is a highly atmospheric account of the routines of a big Mexican rancho, its noises, difficulties, fiestas. Baxter and Moreno, respectively grandson and nephew of the ranch owner quarrel to see who inherits the layout. A new girl named Mona Maris has a shrill voice and wiry body that suit her role as an orphan-pensioner living on the rancho...

Author: /time Magazine | Title: Cinema: The New Pictures Nov. 25, 1929 | 11/25/1929 | See Source »

...pale, Mayor Boess stood by the rail of the superspeedy S S. Bremen as she was warped into her pier at Bremerhaven. Dock police were struggling with shouting Communists who strove to hold aloft a six-foot banner on which the words BOESS-SKLAREK were accusingly visible. Deep boos, shrill whistles echoed from the dockside...

Author: /time Magazine | Title: Foreign News: Boos for Boess | 11/11/1929 | See Source »

Drums and cymbals clash a silence. A shrill tweet from the bandmaster and out blares the pomp of "Hail to the Chief." In through the giant curved rolling door at the end of the building marches Rear-Admiral William Adger Moffett, chief of the Navy's bureau of aeronautics. With him are President Litchfield, Designer Arnstein, Commander Jerome Clark Hunsaker, who Drobably will head the Pacific Zeppelin Transport Co. (see col. 3). They mount a platform above the arc of the master ring. President Litchfield explains the ceremonies to spectators and microphones. Dr. Arnstein hands Rear-Admiral Moffett...

Author: /time Magazine | Title: AERONAUTICS: Gold Rivet | 11/4/1929 | See Source »

...trapeze acts are excellent. For about two-thirds of the film the emotional moments are smoothly presented, with the gaps in slow-moving scenes filled in by the musical accompaniment; but as soon as the dialogue begins, and the Movietone records Charles Morton's body-shaking sobs as short, shrill, barks, the screen sadness produces an equal and opposite reaction, and the audience laughs. That temporarily destroys the soothing effect of Janet Gaynor's voice and the generally superior acting of the cast; but before the end, peace is restored, and one is able to appreciate the picture again. Nancy...

Author: By R. W. P., | Title: The Crimson Playgoer | 10/14/1929 | See Source »

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