Word: shrills
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Early each morning, he mounts his modified tricycle cart, pedaling through the streets of the seaside district of Barranco in search of treasures. He forgoes a shrill horn for his booming voice, shouting for glass, paper or used items that he can resell. "You have to be considerate and not make a mess. If you cause trouble, the police will take your cart, and then you're stuck," he says. On a typical day, which usually includes six hours' collecting goods and two hours' sorting and selling items to middlemen at a municipal lot, he clears around $3.50. A good...
...Shrill? Maybe - though it's nothing compared to the lashing Royal gives Sarkozy, whom she variously describes as vulgar, avaricious and (gasp) boringly predictable. "His energy is impressive, but he really is a show-off," Royal says, claiming Sarkozy's quest for money and power leaves him looking ridiculous once he's attained it. "With his little sheriff's star and his plastic gun, his cowboy outfit, it's as if he had climbed up on the biggest horse in the merry-go-round and plucked down the prize...
...nobody particularly likable in the mix here. The legal eagles of Scully & Pershing are cynical and joyless. The members of the mysterious organization are villainous to the point of cliché. (They have hairy hands and thin lips and slight accents - those bastards!) Even the possible-rape victim is shrill and self-serving and, well, cynical and joyless. As a result the book hangs on Kyle, and Kyle remains something of a cipher. He's got a kindly divorced father who lives in a small town in Pennsylvania and hunts deer, so we know we're supposed to like...
...have when you have it. Though this moral is earnest, and the show ended on a sincere note, the real strength of the production lay in its comedic moments. Alison H. Rich ’09 played Contini’s wonderfully frightening producer Lillian LaFleur; with gaping smiles, shrill screams, and impeccable timing, her character stole the show with “Folies Bergeres.” Other highlights were confidently sexy Carla (Jordan A. Reddout ’10) and her “A Call From the Vatican,” as well as Sarraghina?...
...skit takes the mickey out of two of the show's most overused transitions - the whooshing sound that indicates an imminent jump in time (either a flashback or a flash-forward) and the absurdly overused cliff-hanger cue. "If you say something cliff-hangery on the show, all the shrill, like crazy dramatic music comes on, and it cuts to black," notes one of the characters. "It's like the coolest thing ever...