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...system," cried Sachsenhausen's Dr. Heinz Baumkoetter. (He used to pour burning phosphorus on his patients, so that afterwards he could test the efficacy of burn salves.) "I accuse the system which made me-a harmless man by nature-into a criminal against humanity." Only dandified, cadaverous Willy Shubert, who had once earned a medal and a holiday in Italy for helping to kill 18,000 Russians in three months, refused to grovel. "I killed men on orders," he boasted, "and I killed men without orders." Sachsenhausen's commander in chief, pig-eyed, bulletheaded Anton Kaindl, more than...

Author: /time Magazine | Title: WAR CRIMES,Poor Misguided People: Poor Misguided People | 11/10/1947 | See Source »

Take one rather windy, over-long play that has plenty of Ideas, sit on it, heavily to press out the depth, cut it to a sensible length, then polish so it glistens, and you have the current product at the Shubert. The process transforms a dramatic treatise in philosophy into a funny but two-dimensional play, perhaps the best that can be done with. "Man and Superman," which is, after all, something to be read rather than seen. Shaw's rebellious witticisms are served up in the elegant, stylized manner that Gielgud brought to perfection in "The Importance of Being...

Author: By N. S. P., | Title: The Playgoer | 9/23/1947 | See Source »

...natural and right, in "Man and Superman" it is artificial, and when the power of Shaw's ideas does break through, both the cast and the audience are left both embarrassed and helpless. But after a painful farewell to George Bernard Shaw, one can trot down to the Shubert and be amused...

Author: By N. S. P., | Title: The Playgoer | 9/23/1947 | See Source »

...line,* got a professional U.S. premiere from Chicago's vigorous young Opera Theater. Chicago, in turn, got what was, by the current depressed standards of opera-writing, a bang-up opera. Like the British, who first applauded The Rape a year ago, the audience in Chicago's Shubert Theatre found that homely, curly-haired Composer Britten, at 33, was not yet a new Richard Strauss come to judgment. But critics liked his forcefully discordant, often tender music, well married to a brisk, sometimes bawdy libretto...

Author: /time Magazine | Title: Music: Lucretia in Chicago | 6/9/1947 | See Source »

...Shubert got permission to lift music from any Puccini opera so long as he mixed nobody else's music in with it. The terms raised such a hue & cry that Attorney General Tom Clark rushed into print with an explanation. The U.S. had reserved a veto: if Shubert's score was not up to Puccini's "high artistic standards," the deal...

Author: /time Magazine | Title: Music: Greedy Diversion | 4/14/1947 | See Source »

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