Word: shubert
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...Wynn's new revue begins August 30. Sanders Theatre Concerts Boston Symphony Orchestra Second Programme, July 25 Under the direction of Bernard Zighera Toccata, Bouree, and GigaScarlatti-Casella Symphony No. 5 in B-flat major Shubert I. Allegro II. Andante con moto III. Menuetto: Allegro molto: Trio IV. Allegro vivace Pavane pour une Infante defunte Ravel Capriccio Ibert Suite No. 1 from "Pulcinella," Ballet (after Pergolesi) Stravinsky I. Sinfonia (Overture): Allegro moderate II. Serenata: Larghetto III. a. Scherzino b. Allegro c. Andantino IV. Tarantella V. Toccatta VI. Gavotta con due variazionl VII. Duetto VIII. a. Menuetto b. Finale Third Programme...
Presenting Lily Mars (M.G.M.) is a conventional screen version of 73-year-old Booth Tarkington's tale of a stagestruck small-town girl. This juvenile darling (Judy Garland) gets to Broadway before you can say Jake Shubert, marries a great producer (Van Heflin), and is soon seen swaying in black tulle in a super-sumptuous musical show staged by the lucky fellow...
Ziegfeld Follies (music by Ray Henderson; lyrics by Jack Yellen; produced by the Shuberts in association with Alfred Bloomingdale and Lou Walters) is Shubert flapdoodle. In 1934 and 1936 the Shuberts borrowed this lustrous title to some effect, but this time they have thrown it away on a completely lackluster show. Alternating undistinguished sketches with indistinguishable tunes, gaudy spectacles with soggy satire, young legs with old gags, handsome clothes with jitterbug clatter, it is just the Shuberts' old Winter Garden formula to cop the summer trade...
...chorus and the showgirls are, nearly every one the biggest assets in the show. Such famed beauties as Kay Aldridge and Mildred Law will not go unrecognized by frequenters of the Shubert and dippers into Vogue. The veteran cast includes, beside Digges and Cossart. Cora Witherspoon, Mary Wickes, Jack Smart, and Eddie Green of "Duffy's Tavern." All are capable comedians without suitable material, but, all join in the chorus, "By the time it reaches New York...
...Radcliffe Choral Society began the program with Purcell's "Nymphs and Shepards," and then modulated into Bartok's "Don't Leave Me" and "Only Tell Me," and concluded with a rhythmic rendition of Shubert's "False Noble." Continuing with Milhaud's "Psalm CXX," the Harvard Glee Club ended their section with three canons for men's voices by Mozart...