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...head coach is G. V. C. Lord, who has been in charge of previous Pi Eta shows and some of Shubert's musical productions. J. W. D. Seymour '17 and W. V. M. Fawcett '21 will assist Mr. Lord, Dr. A. W. Wright '17 will supervise the music...

Author: NO WRITER ATTRIBUTED | Title: MUSIC AND MAGIC FILL PI ETA SHOW OF 1925 | 12/4/1924 | See Source »

...Pierian Sodality Orchestra is the oldest institution of its kind in America. Its purpose is to bring the best in contemporary music before the American people. Already several modern compositions have been used, but selections from Mozart, Mendelssohn, Shubert, and Beethaven still predominate...

Author: NO WRITER ATTRIBUTED | Title: PIERIAN SODALITY GIVES SEASON'S FIRST CONCERT | 12/3/1924 | See Source »

...following program will be given: Overture to "Iphigenia in Aulis" Gluck Unfinished Symphony in B minor Shubert Recitative and aria, "Eri tu cha macciavi" Werdi Song of the Sandman and Prayer from "Hansel and Gretel" Humperdinck Jaernefelt Berceuse Two Sentimental Tangos (for dancing) Vigil Thompson '22 "I Attempt from Love's Sickness to Fly" Purcell "Wie bist du meine Koenigen" Brahms Cartner "Love is Mine" (C. T. Leonard '23, accompanist.) Prelude to second act of "Louise" Charpantier Overture to "Oberon" Weber Tickets for the concert may be procured at the Cooperative Society, Herrick's, and the Copley Theatre...

Author: NO WRITER ATTRIBUTED | Title: PIERIAN SODALITY GIVES SEASON'S FIRST CONCERT | 12/3/1924 | See Source »

...purpose of the Pierian Sodality to bring before the American public at least a small part of what is good in contemporary music. Already several manuscripts have been used successfully, but the established classics, especially those of Mozart, Mendelssohn, Shubert, and Beethoven, remain dominant in the repertoire of the Sodality...

Author: NO WRITER ATTRIBUTED | Title: PIERIAN TO OPEN SEASON AT COPLEY DECEMBER 3 | 11/14/1924 | See Source »

Manhattanites recalled a time when, for many moons, the Messrs. Shubert similarly banned the rotund, genial presence of Critic Alexander Woollcott* in any of their Broadway pleasure palaces; recalled ruses, disguises, trickery resorted to by the genial Woollcott to deceive the Messrs. Shubert and slip in unperceived; recalled the waning of that feud, a reconciliation and Critic Woollcott's presence again regularly gracing an aisle seat whenever the Messrs. Shubert had something new wherewith to beguile the public in its idle hours...

Author: /time Magazine | Title: No Admittance | 11/10/1924 | See Source »

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