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...Night was opening that very evening at the Princess, and eleven other shows were doing adequate hot-weather box office. At 8:20 p.m. word was flashed along Broadway, with Broadway's customary flair for the spectacular, that "Lightnin' has struck!" Then, one after another, in the Shubert, Playhouse, Lyric, Astor, Knickerbocker-in all but one of Broadway's showhouses-lights were dimmed and the customers were told to go home. There would be no show that night. Broadway's showfolk had gone out on strike...

Author: /time Magazine | Title: Theatre: One Big Union | 8/9/1937 | See Source »

...freedom of movement, will support and complement each other." That the inventor of Fingertips received such a volume of good-humored publicity for her gadgets was largely attributable to the fact that she is the wife of Claude Greneker, veteran pressagent for Broad way's play-producing Brothers Shubert...

Author: /time Magazine | Title: Science: Fingertips | 3/22/1937 | See Source »

Frederika (words & music by Edward Eliscu & Franz Lehar; Shuberts, producers). "Mr. J. J. Shubert, during his recent tour abroad, had observed the tradition of paying homage to the Waltz King by visiting Lehar at his home in Vienna. He had witnessed performances of five of his recent works in as many different capitals. The rare musical gift Frederika is merely the forerunner of a cycle." So reads a program note in this collaboration between Composer Lehar and the Producers Shubert, which was received by Manhattan first-nighters with self-control bordering on ennui...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Feb. 15, 1937 | 2/15/1937 | See Source »

...latter-day creations. That Frederika-a perfunctory, old-fashioned operetta about the life & loves of Goethe which was first produced seven years ago-does not come up to the stratospheric standards of such earlier Lehar work as The Merry Widow (1905), is a loss not only to J. J. Shubert but to those who love Lehar music and are, like Mr. Shubert, anxious for an opportunity to hear more...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Feb. 15, 1937 | 2/15/1937 | See Source »

...Shubert's music is the real backbone to "Blossom Time," and his music alone is enough to satisfy an audience. The singing of George Trabert and Diana Gaylen, particularly their duets, send one from the theatre humming those old melodies still pleasant to the ear. This is, perhaps, the last revival of "Blossom Time"; its day is past. Before it wings into the blue, we suggest that you see it. It still pleases...

Author: By P. M. H., | Title: CRIMSON PLAYGOER | 12/8/1936 | See Source »

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