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...plot, sadly enough, as before said, takes life seriously. It is a portrayal of Franz Shubert's hopeless passion for a beautiful young daughter of an Austrian jeweler. Shubert, a shy and awkward lover, finds a vent for his love in his songs to the fair Mitzi, but their new-found romance is nipped in the bud by a hapless misunderstanding. Mitzi then showers all of her warm affection upon a gay young blade, one Baron Schober, and Shubert, unable to finish his symphony for which she was the inspiration, pines away in heroic devotion. Comic honors go without...

Author: By P. M. H., | Title: CRIMSON PLAYGOER | 12/8/1936 | See Source »

...Faces", the new review at the Shubert, is, notwithstanding its Broadway run of "seven hilarious months", just another review. A group of new and fairly talented performers, including the Duncan sisters, lift a lifeless script into the regions of just passable entertainment, although the first night audience was liberal enough with its applause...

Author: NO WRITER ATTRIBUTED | Title: CRIMSON PLAYGOER | 11/27/1936 | See Source »

...Mata Hari, or an all too realistic Times Square bedroom scene in which Terry and her roommate shout good night to each other, blindfold themselves and attempt to go to sleep amid a roaring, flashing hell of metropolitan night life. Swing Your Lady (by Kenyon Nicholson & Charles Robinson; Milton Shubert, producer). In the training quarters of a large Greek wrestler named Joe Skopapoulos (John Alexander), a horseshoe is found hidden under the Skopapoulos pillow. "What's he keeping that for?" someone asks. "I don't know," says his small manager (Joe Laurie Jr.) wearily, "maybe...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Nov. 2, 1936 | 11/2/1936 | See Source »

Democrats: Virginia C. Gildersleeve, Mary Woolley, Will Durant, Robert Taylor, George Raft, George Jessel, George Gershwin, George M. Cohan, Lee Shubert, Eddy Duchin, W. C. Fields, Beatrice Lillie, Joe E. Brown...

Author: /time Magazine | Title: National Affairs: Teams | 10/26/1936 | See Source »

Reflected Glory (by George Kelly; Lee Shubert, Homer Curran, producers) exhibits temperamental Actress Tallulah Bankhead cast as a temperamental actress, stalking about on her heels, slapping the furniture to accentuate her outbursts, lowering her voice to a sepulchral baritone, leaning backward at an angle of 30° while combing her hair, ordering a midnight supper of two pork chops, Julienne potatoes, buttermilk, salted peanuts. Written seven years ago by the Pulitzer Prize-winning author of Craig's Wife and The Show-Off, Reflected Glory at least has the distinction of being Tallulah Bankhead's most creditable vehicle since...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Oct. 5, 1936 | 10/5/1936 | See Source »

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