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...SHUE...

Author: /time Magazine | Title: People, Apr. 22, 1996 | 4/22/1996 | See Source »

...Hollywood. Others cite the increase in women directors, producers and executives, as well as the influence of stars like Emma Thompson and Nicole Kidman, who were pivotal in creating "Sense and Sensibility" and "To Die For." Note, however, that three of this year's nominated female actors--Elisabeth Shue and Sharon Stone for Best Actress, Mira Sorvino '90 for Best Supporting Actress--play prostitutes. Oscars have often gone to female actor in prostitute roles, including Jane Fonda, Susan Hayward and Elizabeth Taylor. Playing a prostitute in "Pretty Woman" turned Julia Roberts into a star. It seems that women's roles...

Author: By Nicole Columbus, | Title: Oscar Preview: "You Like Me! You Really Like Me!" | 3/21/1996 | See Source »

Elisabeth Shue received critical acclaim as the hooker with a heart of gold in "Leaving Las Vegas." She was named Best Actress by the National Society of Film Critics and the Los Angeles Film Critics. But she will not win the Oscar. Sharon Stone received terrific reviews for her performance in "Casino," showing that she can now be taken seriously as an female actor. Remember, lots of media exposure can help in the awards race, so Stone's March "Vanity Fair" cover article could give her a push. Stone has also been described, as a tireless campaigner. Plus...

Author: By Nicole Columbus, | Title: Oscar Preview: "You Like Me! You Really Like Me!" | 3/21/1996 | See Source »

HOOKERS Played by Best Actresses Elisabeth Shue and Sharon Stone and supporting bet Mira Sorvino...

Author: /time Magazine | Title: Notebook, Feb. 26, 1996 | 2/26/1996 | See Source »

...neon glitz of his milieu, visual catnip to most directors, is muted. His Las Vegas is mostly low-wattage motel rooms and morning-after grayness. Cage, that most daring of actors, practically cha-chas through the gloom, high on the freedom that the loss of all amour propre bestows. Shue's character hasn't yet reached that heady state. She's engaged in a complex struggle between self-awareness and self-destruction. One has only the smallest hope for her. And none at all for the commercial fate of a movie that may be just a bit too pleased with...

Author: /time Magazine | Title: CINEMA: DEAD DRUNK | 11/6/1995 | See Source »

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