Word: shunsaku
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METROPOLIS. Director Rin Taro worked with Osamu Tezuka to adapt Tezuka’s 1949 manga, a riff on Fritz Lang’s 1927 silent sci-fi classic. This adaptation is an anime film that follows Kenichi (Kei Kobayashi) and his uncle, Shunsaku Ban (Kousei Tomita), in a futuristic city in which robots do most of the work, but must live underground. Shunsaku is a detective on the trail of a fugitive who is creating a robot named Tima (Yuka Imoto), but soon Kenichi and Tima are on the run together. Since Tima is unaware of her purpose...
...scene begins like any number of classic Hollywood crime dramas as maverick detective Shunsaku Aoshima swaggers along Tokyo's glittering waterfront, headed for action. With disheveled hair, necktie loosened rakishly and a cigarette dangling from his lips, he looks every bit the renegade cop. But when Aoshima reaches his destination, he hesitates and looks around sheepishly?there's no place for him to flick his cigarette! It's not nice to litter. What if someone sees him? Or complains? He sighs, pulls an ashtray from his coat, stabs out the butt, rolls his eyes and heads inside...
Brilliant Green JAPAN A rock-'n'-roll trio--singer Tomoko Kawase and guitarists Shunsaku Okuda and Ryo Matsui--that creates ambiguously playful music. Key album: Los Angeles...
...curious and reassure Hollywood producers that Japan's prolific cinema industry is not a serious menace. Story of Kimiko concerns a domestic crisis in the up-to-date Yamamoto family. Thinking to arrange a reconciliation between her mother, Etsuko Yamamoto, with whom she lives, and her father, Shunsaku Yamamoto, who long ago ran off with a geisha girl, pert Daughter Kimiko Yamamoto goes to visit Shunsaku, get his consent to her marriage. Up to this point, the plot of Kimiko somewhat resembles that of Universal's Three Smart Girls (TIME, Dec. 21). The end of the picture...
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