Word: shuttered
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...what they paid to see were dark action pictures with ceiling-high body counts and suppurating psychopaths. Shutter Island, with Leonardo DiCaprio playing a U.S. marshal who is trapped in a remote insane asylum, stayed in first place in its second week, according to early studio estimates. Martin Scorsese's you-dunit claimed $22.2 million, easily besting the $18.6 million registered by the Bruce Willis-Tracy Morgan police-buddy comedy Cop Out, which survived a title change (from A Couple of Dicks) and felonious reviews (a 20% score on Rotten Tomatoes). In third place, with a solid $16.5 million...
...Shutter Island, $22.2 million; $75.1 million, second week 2. Cop Out, $18.6 million, first weekend 3. The Crazies, $16.5 million, first weekend 4. Avatar, $14 million; $706.9 million, 11th week 5. Percy Jackson & The Olympians: The Lightning Thief, $9.8 million; $71.2 million, third week 6. Valentine's Day, $9.5 million; $100.4 million, third week 7. Dear John, $5 million; $72.6 million, fourth week 8. The Wolfman, $4.1 million; $57.2 million, third week 9. Tooth Fairy, $3.5 million; $53.9 million, sixth week 10. Crazy Heart, $2.5 million; $25.1 million, 11th week...
...that remains, then, is that final twist, the one guaranteed component of any film of this genre. “Shutter Island” pulls it off convincingly, in a heart-wrenching though overlong series of revelations which will leave even the most prepared audience members reeling...
...isn’t enough. As a pure-and-simple psychological thriller, “Shutter Island” should be lauded. It has all the necessary ingredients: a consistently dark tone, emotionally powerful reveals, and mind-bending twists aplenty. And from any other director, that might be enough to satisfy. But from Martin Scorsese, we have come to expect something more. We expect a coherent and thought-provoking message. We expect great ideas, new innovations, broken boundaries. We expect, in short, a film that is different, one that will stay with us well past the final fade-to-black...
...Boston, as a result of a tax break for films, is kind of crazy. It’s become this huge haven for feature films,” said Horovitz. Martin Scorsese’s “The Departed” and “Shutter Island” are two such films shot in Boston since the tax credit...