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...Morgan went to the rail, smiled, said: "No, not even one minute." Thus he exposed himself to Photographer Wil letts. Then he heard the shutter snap and, now not smiling, fled along the deck...

Author: /time Magazine | Title: People, Feb. 23, 1931 | 2/23/1931 | See Source »

Pictures produced with ordinary silver emulsion film cannot be too small or too large without suffering distortion. The images recorded on light-sensitive film when the camera's shutter is snapped are formed by small deposits of metallic silver grains. For photographs taken through the microscope, these grains are often too gross, blur the minute detail. Greatly enlarged pictures are pockmarked. Cinema "stills," when projected, look spotted because of their size. Since the films in the ordinary moving picture are shown in rapid succession the grain patterns, which are different in every picture, blend, escape the eyes...

Author: /time Magazine | Title: Science: Grainless Films | 9/1/1930 | See Source »

Sound tracks such as now border motion picture films, are imposed on a revolving glass disc. A series of shutters, connected with a keyboard, covers the maze of tracks. When a key is depressed its shutter opens, allows a beam of light to pass through the disc, shine on a photoelectric cell. The light is transformed into an electric impulse, the impulse into sound. Working on this purely electrical principle the fineness of tone division becomes limited only by the ability of the human ear to perceive...

Author: /time Magazine | Title: Music: New Instrument | 5/12/1930 | See Source »

Slinking week by week through London banquet halls, "Cyclops" has winked a camera shutter at Winston Churchill fiddling with the silver at the Canada Club dinner, at Funnyman Leon Errol, caught looking uncomfortable in stiff evening clothes, dining with the American Society. That great shipowner and financier, Lord Inchcape, was snapped five times during one course, once sucking his forefinger...

Author: /time Magazine | Title: The Press: Candid Camera | 2/17/1930 | See Source »

...benefit derived from work in the Photographic department is primarily a practical knowledge of the taking, developing, and enlarging of pictures. But the attraction which grips the neophyte who cannot distinguish between a lens and shutter when he reports, and his type constitutes the majority of candidates, is more deep-seated than a mere liking for the art of photography itself. Through his contacts and appointments with outsiders, he becomes aware of phases of the life of the University that were unknown before. He meets visitors of world-prominence; and seeks with equal eagerness the photographs of European exchange professors...

Author: NO WRITER ATTRIBUTED | Title: CRIMSON PHOTOGRAPHIC CANDIDATES EXPERIENCE TRAINING AND THRILLS | 2/8/1929 | See Source »

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