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Word: shylock (lookup in dictionary) (lookup stats)
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...Portia states, "the best deserving a fair lady." But John Cunningham uses an annoyingly exaggerated clipped delivery, and his inflections leave no doubt that he is less drawn to the fair lady than to her wealth ("a lady richly left,"sunny locks. . . like a golden fleece"). And when Shylock puts a finger on his shoulder, he pulls back in a gesture of loathing.M...

Author: By Caldwell Titcomb, | Title: Carnovsky Great in 'Merchant of Venice' | 7/7/1967 | See Source »

...various characters appear and the tale unfolds, we find ourselves in the midst of a mass of unpleasant people. Shylock is not the only person interested in ducats; it seems that just about everybody in Venice and Belmont is a materialistic money-grubber. The very name Shylock is a transliteration of shalach, a Hebrew word for bird-of-prey; but here, almost all the characters are, in their diverse ways, birds-of-prey. These are unsavory people, notably lacking in spiritual values. (Is director Kahn trying to show us an image of mid-20th-century society...

Author: By Caldwell Titcomb, | Title: Carnovsky Great in 'Merchant of Venice' | 7/7/1967 | See Source »

Sexy Grace. "Emeralds," set to Gabriel Faure's stage music for Pelleas et Melisande and Shylock, unfolded a set of suave, subtly intertwining dances that managed to be at once sweeping and intimately sensuous. Dancers Mimi Paul and Francisco Moncion captured the combination of sophistication and passion in a pas de deux that was full of tantalizing hesitations but never without easy flow. In "Diamonds," Balanchine turned to the grand manner of classical ballet, spinning out variations that resembled traditional Russian dancing removed from the law of gravity. To the score of Tchaikovsky's Symphony No. 3, Suzanne...

Author: /time Magazine | Title: Ballet: Gem Dandy | 4/21/1967 | See Source »

...true that in Shakespeare's own lifetime the play was occasionally thus designated. And it is just as true that Falstaff is indeed the work's foremost figure. By this criterion we ought to turn Julius Caesar into Brutus, Cymbeline into Imogen, and The Merchant of Venice into Shylock...

Author: By Caldwell Titcomb, | Title: The Stratford Shakespeare Festival | 7/5/1966 | See Source »

...these organic microcosms, the Western concept of the individual, upholding and upheld by a written law, has no meaning at all; right action is a meld of custom and propriety demonstrated by the behavior of the sage. Written contracts are usually mere pieces of paper. "No Chinese would understand Shylock's claim to a pound of flesh in The Merchant of Venice," says Harvard Law Professor Jerome Cohen. "The important thing is human relations. You imply a lack of trust when you allow for disputes in contracts." If disputes arise, they are settled through face-to-face negotiations...

Author: /time Magazine | Title: Essay: ON UNDERSTANDING ASIA | 7/1/1966 | See Source »

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