Word: si
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Charles W. Millet, Si. Louis...
...culture they discuss and, as art history, are not pitched at the level of scholarship a European audience feels entitled to. But it is the work that counts, and must be seen, in all its energy and episodic magnificence: a vast panorama, from the haunted fin-de-siècle symbolist canvases of Mikhail Vrubel to the last attempts, by painters like Alexander Deineka, to combine a social message with a post-cubist idiom before the freeze...
...Mood on Campus, the swing back away from the upset and disillusionment of the period remembered as "the Sixties" but more properly identified as the late '60s and early '70s. (1961, after all, was the year of the Latin Riots at Harvard, when students marched, chanting "Latin Si! Pusey No!", to protest then-President Nathan M. Pusey '28's decision to grant degrees in English rather than Latin. 1962 was the year of American Graffitti--where were...
More often, Nin's tone is languid, dreamy; she clutters her stage with fin de siècle props and elegant clothes. Her potential lovers meet in artist's studios or Parisian sidewalk cafés. Traditional pornography gets to the point quickly, setting out the sexual ABCs with no nonsense. Nin, however, lingers over the calligraphy; she works as hard keeping her partners apart as she does bringing them together...
...reau began by shifting the action from the upholstered, hypocritical fin de siècle to the 1930s, in the shadow of Nazism. to the 1930s, in the shadow of Nazism. He and Designer Richard Peduzzi placed the singers amidst stark mausoleum-like sets in monochromatic blacks and grays, all vast, sterile spaces and icy slabs of marble. The results captured the harsh, merciless qualities of the opera perhaps too well. They were undeniably powerful, particularly in the hair-raising scene in which Lulu guns down Schon on an enormous staircase. They were also brutal and at times faintly ludicrous...