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Despite the Gaullist opposition, Français, Si Vous Saviez (Frenchmen, If You Knew) was finished within 18 months. But even then, the government-appointed censorship board waited for seven weeks before granting it a commercial license. In fact, the license came through only ten days before the beginning of the French elections-too late for the film to have much influence on the voting, but in time to enable the government to refute charges of film censorship...

Author: /time Magazine | Title: The World: If They Only Knew | 3/26/1973 | See Source »

When Français, Si Vous Saviez finally opened in eight small theaters in Paris last month, it proved to be a prodigious (eight hours), three-part history of modern France from the First World War to the death of Charles de Gaulle. Its characters range from French-Algerian "Secret Army" Colonel Antoine Argoud to Communist Leader Jacques Duclos, from a patriotic old Lorraine grocer to a Gandhi-quoting Algerian nationalist. The two film makers, who describe themselves as non-Communist leftists, use all these characters to document their thesis: that liberté, egalité, fraternité are more rhetoric...

Author: /time Magazine | Title: The World: If They Only Knew | 3/26/1973 | See Source »

Naturally, Français, Si Vous Saviez became a center of controversy overnight. The pro-government France-Soir praised it as "exciting" and "excellent," while Historian François Furet attacked it as a "monument of crafty demagogy" that sought to turn De Gaulle "from a savior into a scapegoat...

Author: /time Magazine | Title: The World: If They Only Knew | 3/26/1973 | See Source »

Nothing lends the show quite so much strength as Stephen Sondheim's score. It is a beauty, his best yet in an exceedingly distinguished career. The prevailing waltz meter is more suggestive of fin de siècle Vienna than the Scandinavian north, but why carp? In a show almost without choreography, Sondheim's lyrics are nimble-wilted dances. Literate, ironic, playful, enviably clever, altogether professional, Stephen Sondheim is a quicksilver wordsmith in the grand tradition of Cole Porter, Noel Coward and Lorenz Hart. There are three standout numbers. One is Liaisons (Gingold), a lament that courtesans...

Author: /time Magazine | Title: The Theater: Valse Triste | 3/12/1973 | See Source »

HARVARD-EPWORTH CHURCH. Nov. 30. "200 Stills at 60 Frames," "Goulmine 1970," and "Izy Boulkir" by Nancy Graves: "Zorns Lemma" by Hollis Frampton, 7:30 p.m. SI Dec. 3. Phantom India parts 6 and 7, 7:30 p.m. free...

Author: NO WRITER ATTRIBUTED | Title: Harvard | 11/30/1972 | See Source »

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