Word: sica
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Dates: during 1960-1969
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...WEDNESDAY NIGHT MOVIE (ABC, 9-11 p.m.).* It Started in Naples. The tiny Mediterranean island of Capri is background for this 1960 romantic comedy, with Sophia Loren at her most briosa, Vittorio De Sica at his most simpatico, and Clark Gable at his usual most...
Married. Vittorio De Sica, 65, cinema's high priest of neorealism (The Bicycle Thief; Two Women); and Maria Mercader, 51, Spanish-born actress, his constant companion for 20 years; in Fains, France. To evade his country's no-divorce laws, the Italian director became a French citizen in 1966, was later granted a divorce from his first wife, Giuditta Rissone...
Woman Times Seven is an ill-advised attempt to improve upon the mathematical formula of Yesterday, Today and Tomorrow. In that film, Sophia Loren played three women; in this one, Shirley MacLaine plays seven. Both movies employed the same director (Vittorio De Sica) and scenarist (Cesare Zavattini), inviting an unfortunate comparison. Shirley is no Sophia, although even Loren would have had trouble with these amateurish anecdotes...
...with weak punch lines. Part of the fault is MacLaine's. Despite heavy help from the makeup and wardrobe departments, she seldom departs from her customary screen self, and all seven women suffer from an unflatter ing family resemblance. Most of the blame, however, must fall on De Sica, who has wasted such talented actors as Arkin, Sellers, Michael Caine, Philippe Noiret and Vittorio Gassman in a ponderously directed, flaccid work. Better than anyone else, he should know that a tour de farce is like a striptease: there is no point in the performance if the material does...
Beyond Recall. The new thrust in movies took inception from the collapse of Hollywood in the early '50s and the revival of Europe as a center of film production. Since the European industry was small and loosely organized, such directors as Vittorio De Sica, Ingmar Bergman, Federico Fellini, Michelangelo Antonioni, Alain Resnais, François Truffaut and Jean-Luc Godard could pretty well shoot them as they saw them and let the censor take the hindmost. As a result, they made a number of fine far-out films (The Bicycle Thief, Wild Strawberries, 8½, L'Avventura, Hiroshima, Mon Amour...