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Entitled The Bigamist, this Italian film might be called No Noise is Good Noise. It features Vittorio de Sica as "an eloquent but absent-minded wind-bag lawyer who can't tell a tort from a tortoni." Though Mr. de Sica takes his limited role firmly by the tail, he overshakes it until it becomes disappointing...

Author: By Alice P. Albright, | Title: The Bigamist | 3/9/1959 | See Source »

Hundreds of U.S. and European employees of the oil companies were herded protectively into company compounds, but it was hard to say what they were being protected from. "Mucha música pero poca ópera," said a grizzled engineer, quoting the old Nicaraguan proverb: Lots of noise but little action. Although most of the $125 million worth of oil installations had been prudently shut down several days before the invasion, one U.S. contracting company, disregarding the war, kept right at work on a road and pipeline linking the oilfields with the seacoast. Caltex announced that, with government permission...

Author: /time Magazine | Title: INDONESIA: Island War | 3/24/1958 | See Source »

...starts when a couple of aging land sharks move into the well-known European water hole and try to put the bite on each other. He (Vittorio De Sica) is a rentless wreck of an Italian nobleman named Conte Dino della Fiaba (Count Fib). She (Marlene Dietrich) is an enchantress who has come full Circe and now finds herself with nothing to her name but a title, Marquise Maria de Crevecoeur (Lady Heartbreak). She thinks he's rich, he thinks she's rich, and it all makes a pleasant little comedy of errors until suddenly the script makes...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 17, 1958 | 3/17/1958 | See Source »

Gold of Naples. The year's best cinemanthology: four short stories filmed by Italy's Vittorio De Sica with a sunny humor that casts some frightening shadows (TIME...

Author: /time Magazine | Title: Cinema: Choice for 1957 | 1/6/1958 | See Source »

Fire Under Her Skin definitively proves that the "realism" of De Sica, Fellini, and others has become a stock formula and has lost the wonderful freshness that it once seemed to possess. All the inevitable ingredients are here, the triangle--or is it a pentagon--of passions, the sensitive man who kills the thing he loves, etc., replete with much fondling and other fine Gallic touches. Of course the "unhappy ending" has become stock too, with the usual frustrations, murders, and general cataclysm. The plot is so implausible that the outcome seems apparent before this charming idyll has ground through...

Author: By Gerald E. Bunker, | Title: Fire Under Her Skin | 11/18/1957 | See Source »

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