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Gold of Naples. Italian Director Vittorio De Sica makes a high comedy of low life in Naples, and wins some superb performances from Sophia Loren. Silvana Mangano, Toto and Vittorio De Sica (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Mar. 18, 1957 | 3/18/1957 | See Source »

Gold of Naples. Italian Director Vittorio De Sica makes high comedy of low life in Naples, and wins some superb performances from Sophia Loren, Silvana Mangano, Toto and Vittorio De Sica (TIME...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Mar. 11, 1957 | 3/11/1957 | See Source »

Gold of Naples. A great Italian director, Vittorio De Sica, makes high comedy of low life in Naples, and wins some superb performances from Sophia Loren, Silvana Mangano, Toto and Vittorio De Sica...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Mar. 4, 1957 | 3/4/1957 | See Source »

...mood, mixing farce and tragedy, is endlessly complex. Yet De Sica continually achieves the casual visual epigram. His camera, like a wise old pickpocket, filches its riches unobtrusively. And the actors seem to fulfill the creator's intentions as naturally as if they were his hands and feet-even De Sica does exactly what De Sica wants. Toto, Italy's Chaplin, is exquisitely funny. Loren's parts fit beautifully into the whole. Mangano for once is convincing, and Paolo Stoppa, as a man who wants all the pleasures of suicide without its aftereffects, is superb. Perhaps best...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 25, 1957 | 2/25/1957 | See Source »

...Italy's censorship. In 1952, complaining that the neorealist school of moviemakers had formed a gloom brigade that was ruining the foreign market for Italian films, the Italian government forced its state-subsidized movie industry to lower standards and raise skirts. Nevertheless, in Gold of Naples, Director De Sica has managed to say with a smile what he could not have said with a sneer. The four stories are variations on the same theme of human bondage that De Sica develops in all his serious films, and he plays his variations with no less passion and poetic irony because...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 25, 1957 | 2/25/1957 | See Source »

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