Word: sided
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Dates: during 1990-1999
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...results of Mora's experiment with folk religion are, unfortunately, mixed. It is a fine line she must walk between the grandeur of religious language and the earthiness of folk traditions, and she often errs on one side or the other. As a result, her poetry can sound stilted at times. "Light enters you through every pore/dissolves you into itself," she writes in "Our Lady of the Annunciation." The imagery is too grand and abstract to touch the reader on a visceral level and too removed from the dirty realities of desert life to sound authentic...
...such diatribes, I like to just sit, listen and learn. I'm one to side with my boy, and not just for parrochial reasons--I enjoy certain people's company (like Golden Age Man) precisely because they say some outlandish and thus inspiring stuff. But bottom line, I think I've sensed somber days for hip hop much more often than glorious ones: pretty much every time I leaf through rap magazines, or when I think about the fact that the dopest tracks that have dropped in the past couple years will probably never go beyond vinyl singles played...
...spite of my growing distaste for the more obviously commercial side of hip hop performance, I couldn't pass on the opportunity of seeing the almighty Kris Parker make his Knowledge Reign Supreme in club Liquid in Boston last Friday night, particularly because Biz Markie was supposed to be there as well. Plus I got in for free...
Obviously, much of the Onion's humor is rather low brow. Its real comic brilliance in Our Dumb Century lies in the way it uses irony to expose the raw, humorous side of human affairs. Headlines such as "Stock Market Invincible" in 1929 and "Archduke Ferdinand Declares 'No Man Can Stop Me"' in 1913 show the follies of complacency and our confidence to predict or control the future. Also, much of the Onion has a very proletarian feel about it, exposing the rulers of society as they dominate the common people, as when Woodrow Wilson promises to "make the world...
...incessant wailing and beating of breasts. Feminism dominates the play; for example Richmond, the vanquisher of Richard, is played by a woman. The final battle between Richmond and Richard's forces include only one male actor (Lord Stanley, a traitor to Richard) on the victorious Richmond's side. And the second Richard himself is played by a woman...