Word: sideman
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Dates: during 1960-1969
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Creating Characters. Both painters arrived at film-fashioned realism by the circuitous route of abstract expressionism. A gregarious jazz trombonist who played with Gene Krupa's band, Kanovitz, 39, was first attracted to art by a fellow musician who was studying painting. The more his sideman talked, the more Kanovitz liked what he heard. He enrolled at the Rhode Island School of Design, soon moved on to New York, where he got wrapped up in the Greenwich Village group that revolved around Franz Kline, Willem de Kooning and Robert Motherwell. He continued to paint abstract expressionist canvases up until...
...sideman with George Shearing and Stan Getz, Burton looked and acted like an earnest graduate student. He had a polished vibes approach that was based on the flowing style of the Modern Jazz Quartet's Milt Jackson, but he still felt that his musical personality was as neatly buttoned down as his collar. So he went on his own, decked himself out in the Custer buckskins, and literally let his hair down. "I felt I should get my personality across to people," he says. "All short haircuts look the same, but no two long ones...
Died. Henry ("Red") Allen, 59, husky-voiced Negro singer and jazz trumpeter, who started playing the horn at eight in his father's New Orleans marching band, wailed his way to fame as a sideman and soloist with King Oliver, Fletcher Henderson and Louis Armstrong in the 1920s and '30s, later formed his own group, became a fixture at Manhattan's Metropole Cafe and Newport Jazz Festivals; of cancer; in Manhattan...
...would never play again. Though he has had three seizures since, he still keeps pounding away. "I've got to," he exclaims. "What am I going to do? Sit around the house and bite my nails?" Not content to be just the highest-paid ($1,500 a week) sideman in music, he left Harry James's band in March "to put music back in its perspective, to offer something else than just twang, twang, twang." His new band, he says, has nothing to do with nostalgia. "Who the hell wants to hear the Glenn Miller sound? I dress...
Boom-Boom. Back in the U.S. the combo's "ethnic jazz" gained a wide audience. But in the mounting din of his drummers Mann found himself becoming "a sideman in my own group" and he fled to Brazil. He came back playing a new music that helped touch off the bossa-nova craze...