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...nobody transformed a song into something as deeply personal and affecting--and swinging--as Holiday. In these two discs, her reedy, frayed-at-the-edges voice, teasingly lagging the beat, instinctively breathes the bittersweet essence of the jazz life. What's more, she is surrounded by the finest sidemen of the era (1935-42), including pianist Teddy Wilson and her musical and emotional soul mate, tenor saxophonist Lester Young...

Author: /time Magazine | Title: 7 Greatest Jazz CDs | 5/7/2006 | See Source »

...makes full use of the electric nature of his instrument, shredding dynamic solos that straddle the edge of jazz. Fans of Keith Jarrett will appreciate Rosenwinkel’s eccentric ability to vocalize while playing his instrument. In the past, Rosenwinkel has worked with an impressive array of supporting sidemen (including former Tribe Called Quest frontman Q-Tip), and this weekend is no exception. Expect smart accompaniment from saxophonist Mark Turner, pianist Aaron Goldberg, bassist Joe Martin, and drummer Eric Harland when Rosenwinkel comes back to school. —Jake G. Cohen

Author: By Jake G. Cohen, CONTRIBUTING WRITER | Title: On the Radar | 2/15/2006 | See Source »

...Ertegun, bought Charles? Swingtime Records contract for $2,500. Ray brought with him a pioneering blend of gospel melodies, rhythm-and-blues raunch, a suavely swingin? piano groove ? la Nat Cole and the imposing sound of a big band behind him (though typically he worked with only six sidemen). Oh, and an epochal vocal style that would make him the 20th century?s dominant and longest-lived emissary of soul music to pop music...

Author: /time Magazine | Title: The Genie | 6/10/2004 | See Source »

...river in Boston, and Ryles has long been a proving and training ground for many Berklee students. Undoubtedly, Frankie has visited before, playing under the lithograph of the venerable Lester Young. This night, Frankie seemed especially welcome, hamming it up with the capacity crowd and coaxing from his sidemen a uniquely smooth jazz-funk sound under Ryles’ sweaty lights...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: V Is for Victory | 11/30/2001 | See Source »

...warmth. Frankie always seemed more at home on his own compositions, extracting more complexity from their chord changes than from his various covers. Whether during forays into straight-ahead rock music or the fluid turns of Latin-infused funk, Frankie V has a clearly cultivated melodic sense, but his sidemen don’t always come along for the ride...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: V Is for Victory | 11/30/2001 | See Source »

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