Word: sidney
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Dates: during 1950-1959
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...their whole brotherhood thrown out of the big union. The heart of their problem was best illustrated by the fouled sparkplugs brought along by the four biggest of them: bellowing Dave Beck, newly harassed (he cried) by some absurd vendetta of the income tax people; Minneapolis Teamster Vice President Sidney L. Brennan, convicted of accepting a bribe; Western Conference Chair man Frank Brewster, convicted of contempt of Congress; and, with topmost billing in the news, James Riddle Hoffa, chairman of the Central States Conference of Teamsters, struggling to keep his tail gate from the teeth...
...Spanish-mossbacked Southern gentleman whose vassals are so happy that they all mass by ol' man river to sing hallelujah whenever Gable's steamboat comes round the bend. Yvonne is also cooing Gable's glory, though in more intimate circumstances. The trouble comes from Sidney Poitier, a pampered boss Negro whom Gable raised as a son; Sidney has turned bitter, would like nothing better than to plant kindly Massa Clark in the col', col' groun'. In the fury of his ingratitude, he is obliged to cuff Mulatto De Carlo for flouncing around like uppity...
...have a girl like that. She is not too sophisticated. She gives you a feeling of compassion." Says Cameraman James Wong Howe, who shot Picnic: "What makes her interesting is the combination of her classical beauty with a sensual, lush quality." Says Director George (The Eddy Duchin Story) Sidney: "She has the fa cade and the equipment of a bitch in the long shot. Yet when you look in Kim's eyes in a closeup, she's like a baby. There is a fire with the sweetness, a bitchery with the virtue, all in one package...
...World Cinema in Framingham). Hard-hitting transferral to the screen of Robert Ruark's harder-hitting best-seller about the white British versus the black Mau-Mau in Africa. Laudably, the complex issues are not oversimplified; and both sides are properly shown to be at fault. Superlative performances by Sidney Poitier, Wendy Hiller and Juano Hernandez. Even Rock Hudson is good; and Dana Wynter's appearances are fortunately brief...
...began to come into its own only after World War I." Still, he felt that already the U.S. has seen some modern performances that compare with the supremely brilliant ones in the past abroad, and cited Jeanne Eagels in John Colton's Rain (1922), Pauline Lord in Sidney Howard's They Knew What They Wanted (1924), Alfred Lunt in Ferenc Molnar's The Guardsman (1924), and Laurette Taylor in Tennessee Williams' The Glass Menagerie...