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Despite this slightly sappy plotline, Glenn Kessler is convincing as Sidney, the clownish con-man who is "tired of making other people happy." His delivery is energetic and humorous, and his joking, "aim to please Sid Freeze" mode is wonderfully shallow. While Todd Kessler trods some familiar ground in his choice of characters--he mocks yuppie stereotypes throughout the play--he provides some imaginative, funny material nonetheless. Sidney subscribes to his therapist's theory of "Rosenblatt reality" in which thinking oneself at a place is equated to being there, and Rose's first reaction to Sidney's proclamation that...

Author: By Diane E. Levitan, | Title: Kessler's Take On What We Talk About When We Talk About Love | 12/16/1993 | See Source »

When Neil Simon and other such budding comedy legends as Mel Brooks, Carl Reiner and Larry Gelbart wrote for TV comic Sid Caesar in his 1950s heyday, they rarely put anything on paper. Instead they sat in a room trying to top one another, shouting out situations and one-liners. Periodically Caesar would halt the schoolboy jockeying to read aloud what they had so far. "Read what?" Simon recalls asking. "We haven't written anything yet." But Caesar had culled the best of their ideas as he heard them and, by a wink or nod, had ensured they were recorded...

Author: /time Magazine | Title: Punch Lines, But Little Punch | 12/6/1993 | See Source »

Works by both the country's most successful veteran playwright and its most idolized newcomer opened on Broadway. Neil Simon returned to the stage with Laughter on the 23rd Floor, a nostalgic comedy based on his days as a writer for Sid Caesar. The other debut, Perestroika, is the second half of Tony Kushner's Pulitzer-prizewinning age-of-AIDS epic, Angels in America. Critics were far kinder to Kushner than to Simon...

Author: /time Magazine | Title: The Week November 21-27 | 12/6/1993 | See Source »

Rappers aren't the first pop stars to cross from outlaw poses to real bloodletting. Sid Vicious of the Sex Pistols stabbed his girlfriend to death. Squeaky Claudine Longet, a vanilla songstress of the '60s and '70s, shot her boyfriend, a killing that she called accidental and a jury called criminally negligent homicide. But for the most part singers, even the ones who like to pal with mobsters, have been content to leave gunplay to the pros. Not gangsta rappers. In a world where it can seem as if everybody's "strapped" -- meaning armed -- the rapper Spice 1 bragged...

Author: /time Magazine | Title: Shootin' Up the Charts | 11/15/1993 | See Source »

...Nixon learned, you can't beat the press: last week, after the deadline for accepting the nutty ultimatum passed, Columbia said, Never mind, we didn't mean it. But they still insist it was the newspaper sniping that kept moviegoers away. "We were damned going in," says Columbia's Sid Ganis...

Author: /time Magazine | Title: How To Run a Movie Studio | 7/5/1993 | See Source »

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