Word: siena
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Dates: during 1930-1939
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Russian icon painting, which remained in the stiff Byzantine tradition right to the outbreak of the World War, never reached the heights of similarly Byzantine painting in Siena, Italy, but did produce a few recognized masters in the 15th Century and during the reign of Ivan the Terrible. Of these greatest icon painters the Hammer Galleries showed a full two dozen. All were emphatically for sale...
Secretary MacKnight also had a sculptor to suggest: tousle-haired, thickset Giuseppe Moretti, of Siena, Italy. Faces beamed around the luncheon table, for Sculptor Moretti, at that time a tombstone designer for New England granite concerns, was the first artist of any ability to plump for Alabama marble as a medium for sculpture, insisted loudly that it was quite the equal of Carrara...
...June 9, 1311, the great Italian banking city of Siena was fighting an economic death struggle with booming Florence as Duccio di Buoninsegna finished his altarpiece for the cathedral. The city's nine merchant magistrates declared a public holiday. Duccio and his altarpiece were paraded through the streets to the cathedral. At the sight the Siennese fell on their knees as all the church bells tolled. Siena's greatest masterpiece, this work marked both the end of the Byzantine influence which the Crusaders had brought back from Palestine and the beginning of an authentic Christian...
...Siena declined in art and war, Florence grew great. Transition painter in Cleveland's show is Lorenzo Monaco, Siena-born, Florence-bred. He was followed by a virile stampede of topnotch Florentine painters : Filippo Lippi, Piero di Cosimo, Andrea del Castagno, Fra Angelico, Andrea del Sarto, all at Cleveland and all masters of form who had graduated from the childish mysticism of the Gothic. In Venice and Genoa, however, the Gothic spirit hung on a little longer in the magical paintings of Crivelli, Lotto, Magnasco and Strozzi. Lotto's Pieta is one of Cleveland's most striking...
Nearly 50 years ago this and three other Siena back panels were found in an Italian antique shop by the late British Collector Robert Henry Benson. In 1927 his entire collection was bought by Lord Duveen for $3,000,000, brought to the U. S. Lord Duveen quickly wrote off a third of his investment by selling the four Duccios for $1,000,000, two to John D. Rockefeller Jr., one to the Frick Collection, and the fourth to Mr. Mackay who sold it to Mr. Kress for exactly what he paid for it less the Duveen commission...