Word: siepi
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Dates: during 1950-1959
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...musical performance itself, as everybody agreed, was first-rate. Guided by Conductor Erich Leinsdorf, Principals Lisa Delia Casa, Cesare Siepi, Mildred Miller and Regina Resnik sang with the security and style that comes from long experience. Of the two singers making their debut, Finnish Bass-Baritone Kim Borg (as the Count) was adequate, but Swedish Soprano Elisabeth Soederstroem (as Susanna) was a silvery voiced delight. The sets by Designer Oliver (Rashomon, House of Flowers) Messel were superbly elegant: a boudoir whose rose-colored silk panels and drapes glowed with a kind of faded splendor, a formal garden suffused with...
...Cesare Siepi, 34, bass. Born in Milan, Siepi started out to be a boxer, switched to singing during the war, was brought to the U.S. by the Met's Bing. An excellent actor, he is particularly effective in the roles of such sorrowing old men as Boris and Don Carlo's Philip II, has also won acclaim for his Don Giovanni and The Barber's Basilio. His resonant, warm bass and trim good looks make him the leading contender for Ezio Pizza's place...
Ponchielli: La Gioconda (Anita Cerquetti, Franca Sacchi, Mario del Monaco, Cesare Siepi, Giulietta Simionato, Ettore Bastianini; conducted by Gianandrea Gavazzeni; London, 3 LPs). A first-rate cast gives a racy reading to Amilcare Ponchielli's old campaigner from Venice, proves that there is a lot more to it than its pop-concert Dance of the Hours. Mellow-voiced Soprano Cerquetti gives a superb performance as "the joyous female" of the title role who loses her blind mother and her lover before she plunges a dagger in her heart. Tenor del Monaco sings so gustily that he conceals the fact...
...drafty old home for a modern theater at Manhattan's projected Lincoln Center for the Performing Arts, the Metropolitan Opera is busy with another building program. Aside from the great names on its roster-Maria Callas. Victoria de los Angeles, Richard Tucker, Mario Del Monaco, Leonard Warren, Cesare Siepi-it is adding to its solid second rank by bringing in exciting newcomers who, more than the established stars, are making this a memorable season. Some of the best of the new voices...
...Basso Siepi found his customarily resonant, mellow notes, plus a larger kind of rollicking, swaggering presence that had about it much of the animal authority Ezio Pinza used to exude in the role. What it lacked was only a tincture of malevolence: Siepi's acting was sometimes reminiscent of the reflex actions of a sleek cat rather than of a man willing to defy Heaven to enjoy earth. Soprano Steber presented a rich, blazing, gusty-voiced Donna Anna and Soprano Delia Casa an elegantly anguished Donna Elvira. And as Leporello, Basso Fernando Corena not only lurched and grimaced about...