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Word: siepi (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

BELL TELEPHONE HOUR (NBC, 6:30-7:30 p.m.). "Going to Bethlehem." Highlights of last spring's annual Bach Festival in Bethlehem, Pa., featuring Soprano Judith Raskin, Bass Cesare Siepi and a 200-voice choir...

Author: /time Magazine | Title: Television: Apr. 12, 1968 | 4/12/1968 | See Source »

...singers must look backward to bel canto because they have nothing to look forward to. He contends that the torturously difficult vocal writing of modern composers is so contrary to the melodic essence of song that it is beyond salvation. The futility, he says, is reflected in Basso Cesare Siepi's lament that "I have nothing against modern composers. But what have they got against me?" The only answer, concludes Pleasants, is for the singers "to go back to the old music...

Author: /time Magazine | Title: Opera: Back to Bel Canto | 1/20/1967 | See Source »

...they say, from Lincoln Center's State Theatre, where people sixteen rows back in the Orchestra shouted "Louder!" at Paul Schofield in King Lear. Cornell MacNeil stole the show in La Gioconda, and his duet with Franco Corelli brought down the house. Neither Renata Tebaldi nor Cesare Siepi were quite as brilliant, but the singing all around was fine. The Met is an avowed showcase for stars, and it was the stars who put over this museum piece...

Author: By Timothy Crouse, | Title: The New Met | 9/27/1966 | See Source »

...season than any other opera house. Nowhere but at the Met, for almost any given performance, could two complete casts be mustered that would boast such operatic deities as Sopranos Renata Tebaldi and Leontyne Price, Tenors Richard Tucker and Franco Corelli, Baritones Robert Merrill and Tito Gobbi, Bassos Cesare Siepi and Nicolai Ghiaurov-not to mention a bevy of most attractive younger sopranos such as Anna Moffo, Teresa Stratas and Mirella Freni...

Author: /time Magazine | Title: Opera: Lord of the Manor | 9/23/1966 | See Source »

...Angel) is unquestionably the top. London has also recorded the opera's great arias (Columbia), but his claim to the role is more in acting than in voice; his basso register is weak; his voice is a shade too high and light for Boris' thundering miseries. Cesare Siepi sang an unforgettable Boris at the Met for years, but his Mediterranean approach to the role introduces the irrelevant question of Whom Does Boris Love...

Author: /time Magazine | Title: Opera: The Boris Boom | 4/5/1963 | See Source »

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