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Bravo Giovanni offers a great voice in a tiny void. Metropolitan Opera Basso Cesare Siepi gets the chance to sing a menu. As a display of the conspicuous consumption of talent, this might have staggered Thorstein Veblen. What playgoers will find themselves conspicuously consuming at this musical comedy is their own time...

Author: /time Magazine | Title: Theater: Arrivederd Broadway | 6/1/1962 | See Source »

...Opera Company (NBC, 2:30-5 p.m.). A repeat of Mozart's Don Giovanni, starring Leontyne Price and Cesare Siepi, with Peter Adler conducting...

Author: /time Magazine | Title: Time Listings: Jan. 26, 1962 | 1/26/1962 | See Source »

...other legitimate theaters. Most of the Fisher's offerings will be secondhand Broadway but Detroit can look forward after The Gay Life to two more special events: the road opening of a new musical called The Crime of Giovanni Venturi (with the Metropolitan Opera's Cesare Siepi), and the pre-Broadway trial of Richard Rodgers' No Strings...

Author: /time Magazine | Title: The Road: Lavish & Legit | 10/13/1961 | See Source »

...production did little to improve matters. The singing-by Baritone MacNeil in the title role, Soprano Leonie Rysanek and Mezzo-Soprano Rosalind Elias as the evil and good daughters of the King, Bass Cesare Siepi as a Jewish high priest-was generally good but rarely inspired. Conductor Thomas Schippers (who at 30 is the youngest conductor ever to open a Met season) whipped his orchestra through the score at a soprano-searing pace. The sets by Teo Otto and Wolfgang Roth were contradictory in style: an ornate realistic idol in one scene, a starkly abstract grillwork in another. Although...

Author: /time Magazine | Title: Music: Pre-Vintage Verdi | 11/7/1960 | See Source »

...first-rate cast under Conductor Peter Herman Adler, Bass Cesare Siepi was superb as the don, his voice smooth and resonant, his acting a marvel of revealing, reflex-quick responses to the camera's eye. In one of the opera's musical high points, the Act I love duet of Giovanni and Zerlina (Soprano Judith Raskin), Siepi gave his mahogany tones a range of inflections-ardor, indignation, surprise-that told the viewer in the twist of a phrase everything about the don he needed to know. Less effective than Siepi dramatically, Negro Soprano Leontyne Price sang the role...

Author: /time Magazine | Title: Music: Gingery Giovanni | 4/25/1960 | See Source »

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