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Director Michael Kahn puts the sig nature of his determined intent on the play from the outset. An improvisatory prologue serves as a metaphor for the work. In sweatshirts, football jerseys and dungarees, members of the cast drib ble a basketball, wrestle, somersault and shadowbox. Someone pumps back and forth on a child's swing. The seat of that swing will later serve as Harry of Monmouth's throne. The rising intensity of sticks beaten rapidly together, a rhythmic tapestry of violence, suggests a neighborhood gang rumble. One knows in one's slightly chilled bones that this...

Author: /time Magazine | Title: Repertory: Tapestry of Violence | 6/13/1969 | See Source »

Dickey accepted the assignment because the astronauts have a deep sig -nificance for him. "Americans have sunk into the sloth of more and more comfort and convenience," he says. "Many want to give up and see life as essentially miserable. I see life as hardly explored yet. These space guys are showing that miracles can still happen. I was born believing in great efforts...

Author: /time Magazine | Title: Reporters: The Poet as Journalist | 12/13/1968 | See Source »

...Night at the Opera--George Kaufman and Morrie Ryskind loaded the screenplay with more jokes and comic situations than any movie has a right to have. Groucho, Harpo and Chico are fine and have great foils in Margaret Dumont, Sig Rumann, and the drippy romantic leads, Kitty Carlisle and Allan Jones. Very likely the funniest movie ever made. At the SYMPHONY II, Huntington at Mass...

Author: NO WRITER ATTRIBUTED | Title: Movies and Plays This Weekend | 12/6/1968 | See Source »

...Died. Sig Ruman, 82, German-born character actor whose fate it was to be come Hollywood's idea of the typical "Kraut," the beefy, blustering, blundering seriocomic German, a role he played in endless films, most notably as Sergeant Schultz in 1953's Stalag 17; of a heart attack; in Julian, Calif...

Author: /time Magazine | Title: Milestones: Feb. 24, 1967 | 2/24/1967 | See Source »

Cronkite was not long in getting the beast under control. In 1952, CBS News Director Sig Mickelson picked him to anchor the network's coverage of the national political conventions, and he did such a workmanlike job that he found himself in the top rank of newscasters. Suddenly he was a star. He began to have his own news shows-Twentieth Century and Eyewitness to History...

Author: /time Magazine | Title: Television: The Most Intimate Medium | 10/14/1966 | See Source »

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