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...playing/ So it's only just for now/ That I will let you take me down." In the slow-dance Got a Feelin' for Ya, she sings about ice cream ("I'm in the mood for somethin' sticky") as if it were the raunchiest ranch hand in sight. This is music for grownups on the loose, the prowl and the mend...

Author: /time Magazine | Title: Country Music: Cowgirl Blues | 3/22/1999 | See Source »

...ending, and Creon receives a come-uppance beyond his wildest nightmares, there is a brief moment in which the General (David Modigliani '02) reflects on the horrors of the Civil War. He describes seeing dead soldiers' bodies on the ground, futilely lamenting that he never expected to see a sight so gruesome. The play's main focus is on the personal misfortunes of the House of Oedipus. Ultimately, though, it reaches out to a larger historical epoch and brilliantly describes the horror of all wars. The arrival of the Advisor (Karin Alexander), interrupting the speech signals the beginning...

Author: By Carmen J. Iglesias, CRIMSON STAFF WRITER | Title: A Revamped Antigone | 3/19/1999 | See Source »

...myself, was fairly lucky. I held my own in kickball, and I could throw a baseball with sufficiently masculine form. But, I was certainly no athletic superstar, and I endured my fair share of teasing. To this day, the sight of a gym rope makes me shudder...

Author: By Noah Oppenheim, | Title: Learning to Tough it Out | 3/19/1999 | See Source »

...most surprising works of the exhibit is 1949's Study for Seaweed (number 19 in the exhibition), a direct transfer of the outlines of a seaweed plant pinned to the door of Kelly's Bellelle cottage. At first sight, especially due to its placement near some of Kelly's transfers of window frames, one might mistake Study for Seaweed for window glass being broken by the intrusive head of a nail or perhaps the artist's pencil. In fact, it is sometimes extremely difficult to discern the content of these paintings. But that is not the point. You see, Kelly...

Author: By Teri Wang, CONTRIBUTING WRITER | Title: Kelly Draws, a Wild Hand | 3/12/1999 | See Source »

There is no longer the flurry of cotillion invitations and the constant sight of young men bedecked in top hats and tails strolling to their apartments on the Gold Coast to smoke a cigar under the light of a glowing chandelier. Nor the spectacle of languishing youths, waited on hand and foot by a faithful valet. However, the legacy of the Coast has not disappeared. Present-day inequity takes a subtler form...

Author: By Frances G. Tilney, | Title: The GOLD Coast | 3/11/1999 | See Source »

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