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Dates: during 1990-1999
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Usage:

...simpatico with all things motorized. His most cherished memory of Gothenburg was not the 200 victory or the 400, but rather the tour of the Volvo factory, when he was able to test-drive cars and trucks. He also likes to play tennis, and he must be a sight to see going back on lobs. Given all that, Michael Johnson isn't even the first name associated with Waco...

Author: /time Magazine | Title: MICHAEL JOHNSON: THE DOUBLE DARE | 6/28/1996 | See Source »

...visceral thunk at the jump's base to airy finesse at its apogee look effortless. At the last second, he offers the bar a crisp, flapping salute with his palms and fingertips. "It's an unbelievable feeling," says Bubka. And from the spectator's vantage, it's an unbelievable sight...

Author: /time Magazine | Title: SERGEI BUBKA : KEY TO THE VAULT | 6/28/1996 | See Source »

Watching the team row, one can get lulled by their rhythms, by the catch, draw, release of their oars, by the sight of eight bodies moving as one. But if the viewer turns her head away for just a moment, the boat vanishes, whooshed out of sight up the Tennessee River by the silent power that is the Eight. And that is nothing compared with the display of force they plan for July. "I think we're ready to inflict ourselves on everyone else," says Betsy McCagg. "We're racers, so that's what we want...

Author: /time Magazine | Title: ROWING: 8 LIVE CREW | 6/28/1996 | See Source »

...riveting sight: there, in the capitol itself, a U.S. Senator often mocked for his halting, inarticulate speaking, reached deep into his Midwestern roots and spoke eloquently, even poetically, about who he was and what he believed, stunning politicians and journalists alike...

Author: /time Magazine | Title: I'M JUST THAT SIMPLE | 6/10/1996 | See Source »

Cezanne's sublimation produces not flesh but a kind of architecture. Yet this architecture is incontrovertible. Its scale is increased by the overarching trees, which supply a Gothic vault, and by the high, cloud-laden sky. And the final effect is one of exhilaration at the sight of the old man in his last year of life winning from his turmoil an equilibrium that was truly classical, and yet hiding so little of the inner compulsions that drove its making...

Author: /time Magazine | Title: ART: MODERNISM'S PATRIARCH | 6/10/1996 | See Source »

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