Word: signacrand
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Dates: during 1980-1980
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...vision itself: this is one of the most exquisite paeans to the discriminatory power of the human eye ever to be set on canvas, far away, one would suppose, from the world of social affairs. And yet, thanks partly to the anarchist opinions of Seurat's disciple Paul Signacrand largely to the socialist convictions of Italian artists, divisionism as a style became a hallmark of radical opinion in Italy, the vehicle, not of pure nuance, but of huge political allegories like Giuseppe Pellizza's The Fourth Estate...
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