Search Details

Word: silents (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...that excellent oldtime silent picture The Cabinet of Dr. Caligari, the lead was played by a skinny, macabre Viennese named Friedrich Feher. Mr. Feher is now a grey-haired, heavy-set man who looks like the composer he has become. Two years ago, Composer Feher got the notion of a cinema in which music would bear the burden of narration. With his voluptuous wife, Magda Sonja, and his chubby son, Hans, in the main roles, he wrote, composed, directed and cut The Robber Symphony. It won immediate success in Europe, was chosen one of the ten best pictures...

Author: /time Magazine | Title: Cinema: The New Pictures: Feb. 8, 1937 | 2/8/1937 | See Source »

Sunday after his superior's death, Radiorator Coughlin, silent since last November's election, returned...

Author: /time Magazine | Title: Milestones, Feb. 1, 1937 | 2/1/1937 | See Source »

...automats in each station and has filled them with disgusting candied gum. With an automatic movement of the hand the people extract from these automats pieces of sweetish gum, and they grind it with the automatic chewing of their jaws. . . . It looks like a religious rite, like some silent prayer to God-Capital...

Author: /time Magazine | Title: Foreign News: Trotsky, Stalin & Cardenas | 1/25/1937 | See Source »

...budgeted every day's time. Master of every brokerage trick, he drove himself unsparingly through the corporate intricacies of rubber, nickel, public utilities, sugar and oil. He amazed associates by his instantaneous decisions, nettled callers by clipping their conversation short when he foresaw their missions. Partner Stone was silent from the start. Banker Hayden never cultivated an assistant. Until he was stricken last month, he ran his own labyrinthine business by himself, piled up 89 directorships, 58 of which he still held at the time of his death, ranked as a prime Wall Street Power...

Author: /time Magazine | Title: Education: For Nobler Men | 1/25/1937 | See Source »

Seldom has Cecil B. De Mille recaptured so successfully the sweep of panoramic action which was his hallmark in the silent days. Often his cameras, handled by four of Hollywood's topflight cinematographers, clinch the pictorial language of the plains in brief, consummate idioms: a stagecoach ribboning down the long slant of a prairie shoulder; the Cheyennes charging up a shallow river riding so evenly their ranks look like a drift of mist; braves in war paint raiding a cabin where two women are alone; a herd of buffalo, with a scout's horse among them grazing...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 28, 1936 | 12/28/1936 | See Source »

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