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...play is extremely cynical in its depiction of a world where greedy and exploitive men are overtly dominant, but scheming and sleazy women capitalize on the weaknesses inherent in the male ego, somehow, they are always the ones left with all the aces up their silken sleeves...

Author: NO WRITER ATTRIBUTED | Title: Flim-Flam in 'Chicago' | 9/26/1977 | See Source »

...MENGERS, 39, is vice president and resident Hollywood flesh peddler for I.C.M., but she might as well work for Ma Bell. In her Beverly Hills palazzo, the silken-haired, avocado-shaped agent has 14 phones and a WATS line on which she curses and cajoles (in her soft little-girl voice) at least 80 people a day. After her 1973 marriage to Screenwriter Jean-Claude Tramont, Mengers reports, she spent most of their honeymoon in telephone booths on various Greek islands. 'Im a hustler," she admits, but she does not like to be called a "packager." She considers herself...

Author: /time Magazine | Title: Living: The Sherpas of the Subclause | 6/13/1977 | See Source »

Thus, older jazz musicians today no longer hesitate to participate in the evolutionary process. Zoot Sims, 50, the veteran tenor saxophonist, now straddles all styles. Benny Carter, 68, has lent the silken sounds of his alto sax to the torchy voice of thirtyish pop singer Maria Muldaur. Drummer Grady Tate, 44, pounds out extraordinary admixtures of jazz beats and shifting, rocky rhythms...

Author: /time Magazine | Title: Music: A Flourish of Jazzz | 7/5/1976 | See Source »

...contrast, a gag which works far better involves King Lear's obsession with popcorn. A supposedly dignified, elderly figure running around shouting "Pop, pop, Jiffy Pop," is ridiculous enough to be funny, and the Act II opener, "The Popcorn Ballet," which features men with silken flame neckties trying to pop female characters dressed as resistant kernels of corn, is one of the most excitingly choreographed and outrageous numbers in the show...

Author: By Julia M. Klein, | Title: Mad About Purgatory | 3/5/1976 | See Source »

Virginia Woolf described Ottoline as "a Spanish galleon, hung with golden coins and lovely silken sails." Other writers, Darroch says, described her variously as "an oversized Infanta of Spain, an enormous bird, a lion-hunting hostess." In Those Barren Leaves, Aldous Huxley described those moments, just before retiring, when the Ottoline-like character would turn to her house guest and ask probing, intimate questions. "For on the threshold of her bed-chamber she would halt," he says, "desperately renewing the conversation with whichever of her guests happened to light her upstairs. Who knew? Perhaps in these last five minutes...

Author: By Gay Seidman, | Title: A Moth and Her Flames | 1/22/1976 | See Source »

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