Word: silks
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Dates: during 1980-1989
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What the medieval silk-and-spice caravans were to Western Europe, Flight 30 is to Soviet consumers today. The few who can afford the 1,762-ruble ($2,800) round-trip ticket gain an opportunity to outfit their homes with otherwise unavailable dream goods. The Soviet government, which officially frowns on such lavish spending of hard currency, limits how many rubles its citizens can change into dollars for their trip (7 rubles, or $11.20, a day). But they manage to raise the cash. A favored scheme is to carry jewelry to sell...
...work because he believes color photos encourage an appreciation of the merely picturesque in architecture. He insisted that some of the walls of the gallery be covered with rough plaster, like many of Holl's own interiors. And he demanded that certain salient details -- a basswood-and-airplane silk screen from a Manhattan apartment, for instance -- be built right into the exhibit's walls. Fortunately, the museum indulged him: the result (on display together with a handsome exhibit of Emilio Ambasz buildings) is the liveliest MOMA architectural show in years and palpable evidence that Holl...
...hearse as it moved slowly off the grounds of the Imperial Palace and onto the streets of Tokyo. Thousands of Japanese watched its silent passage, some bowing, some weeping. At Shinjuku Gyoen, an imperial garden, the black-painted palanquin was hoisted by 51 members of the Imperial Guard. Above, silk curtains draped the coffin made of Japanese cypress. Within rested the body of Hirohito, the reluctant monarch who on Jan. 7, at 87, succumbed to cancer after occupying the Japanese throne for 62 years...
...audience, they are old art -- mysterious icons of the remote '60s.) On the whole, the sense of expansion and refreshment one feels in going from a reproduction of a well-known painting to its original is lacking, because his paintings are all based on silk-screen reproduction of photographic images. Whether flat and grainy, as in the '60s, or worked up with a creamy slather of broad-brush pigment, as in the '70s and '80s, they are essentially simulations of the act of painting, types of visual packaging...
...adroit draftsman but not a distinguished one. He soon overcame the influences of his early advertising days (Jean Cocteau and Ben Shahn), but the drawing is never more than efficient. Partly for this reason his freehand "studies" of soup cans or dollar bills never acquire the pressure of the silk-screened ones, but it is hard to see how they could: those coarsely nuanced rows of ready-mades, in taking Duchamp a small step further, remain the most eloquent comments on the standardization of mass taste in American art. On desire, Warhol could be dreadfully accurate. His idea of silk...