Word: silks
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When describing Xinjiang, silk road clichés never grow old. China's westernmost region is a vast territory of deserts and mountains, where peaks of black sand descend toward ancient oasis towns. In many of its cities, men still haggle over livestock in dusty markets and purchase blades from blacksmiths whose families have stayed in the craft for centuries. The faces of its Uighur inhabitants, a Turkic Muslim ethnic group, tell of Xinjiang's history as a crossroads for caravans and civilizations: an astonishing array of gray, hazel and blue eyes, fringed by brown or black or even blond...
...people as culturally different as the Uighurs. State media often raise the specter of fundamentalist terrorism, despite the peaceful and tolerant nature of the Uighurs' brand of Islam. Young people are being weaned off the Uighur tongue and blocked from attending prayers at mosques. Historic districts in storied Silk Road cities like Kashgar and Khotan are being torn down and replaced with drab housing blocks. "In the face of China's modernity project," says Sakamaki, "Uighur culture is being diluted more and more." (Read "Why the Uighurs Feel Left Out of China's Boom...
...remote and non-interfering member of the third world is shifting toward that of a more influential power, but it remains far from generating the kind of animosity and suspicion that the U.S. attracts. Instead, "China is perceived as a bulwark," says Ben Simpfendorfer, author of The New Silk Road, published earlier this year, which details the burgeoning links between the Middle East and China. "It can be a useful ally to push back against the United States." (Read "In the Middle East, Little Outcry Over China's Uighurs...
Ferguson radiates not warmth, but rather, a no-nonsense capability. He is a fan of conservative colors and sharp lines: his suit jacket is done by Sam’s Tailor in Hong Kong and his tie is silk. Ferguson never smiles in photos. The camera loves him anyway, particularly his perpetually roguish and brooding gaze; sometimes he’s grabbing his hair as if decoding a historical conundrum. He’s made appearances on the Colbert Report and presented a television series on his book, “War of the World.” Some zealous...
...intimidating to an artist who is used to working alone," says the STPI's chief papermaker Richard Hungerford, who once worked with Tyler in the master's New York studio and now guides artists during their four- to six-week residencies. He gestures at iron printing presses and a silk-screening machine that claws the works through a series of chemical baths...