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...balcony scene from Romeo and Juliet; Marie Dressier sings and prances around. Sometimes slapstick turns into comedy, sometimes comedy trails off into slapstick. The Hollywood Revue is not sophisticated but it is good entertainment. Best song: 'Singing in the Rain.' Prettiest girl: Joan Crawford. Silliest shot: Jack Benny covered with icing from the cake. Best shot: Marie Dressier imitating Marie of Rumania. To publicize the film in Manhattan, a smart manager put up a "human billboard" of flesh-&-blood chorus girls outside the theatre...

Author: /time Magazine | Title: Cinema: The New Pictures Aug. 26, 1929 | 8/26/1929 | See Source »

...burnt cork, which he really needs, such ditties as "Little Pal" and an old one, "Back in Your Own Back Yard." The rest of the numbers will need a lot of plugging to make you remember them. Best shot: Marion Nixon telling Jolson what the manager proposed to her. Silliest shot: a doctor refusing to operate on Little Pal unless Miss Nixon raises $5,000. Silliest song-line (to the convicts): "Violets from their seeds push their way up through the weeds...

Author: /time Magazine | Title: Cinema: The New Pictures Aug. 19, 1929 | 8/19/1929 | See Source »

...though its famed authoress were conscious that her fatuities were required simply for the sake of convention. It is a picture for people who like love on yachts and among the members of High Society. Billie Dove, beautifully dressed, dark-eyed, slightly abstracted, seems only remotely concerned with it. Silliest shot: frustrated Rod La Rocque smashing a huge bowl ornamented with mermaids in action...

Author: /time Magazine | Title: Cinema: The New Pictures Aug. 19, 1929 | 8/19/1929 | See Source »

...important facts are authentic and the scenarist's guesses about the detail are as,; good as anyone's. You lose interest in Strauss but do not give him up for good until he is playing his own tunes at the wedding of his sweetheart to another fellow. Silliest sequence: Strauss jilting the pastry cook's daughter for some reason obscurely connected with one of his father's lectures on personal liberty...

Author: /time Magazine | Title: Cinema: The New Pictures Aug. 5, 1929 | 8/5/1929 | See Source »

...Moran, act and talk competently and at times with distinction. Somehow they subdue the silliness of their material enough to make it distantly credible. The scenarist has retained continuity in spite of the propensity which the villain shares with the hero of traveling amazing distances for very little reason. Silliest shot: love among the camels...

Author: /time Magazine | Title: Cinema: The New Pictures Jul. 15, 1929 | 7/15/1929 | See Source »

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