Word: silver
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Dates: during 1960-1969
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...Jakobsleiter (Jacob's Ladder). Schoenberg wrote it in 1917 as an oratorio, but left it unfinished at his death in 1951. Santa Fe presented it as a visually cool, shadow-filled, dreamlike mystery play. In the final scene, the Dying Person (Soprano Patricia Wise) is led up a silver-covered staircase as she approaches death; then she begins to realize that she has gone through many other lives and deaths, and her anguish turns to joy and awakening...
...composer's emotional, pre-twelve-tone style, the music predict ably irritated some listeners and in spired others. But there was no denying the touch of a master in Jakobsleiter's expressionistic orchestral colors and its delicate, wispy, half-song half-speech. Neil Peter Jampolis' silver-staired setting, Robert Baustian's serene conducting and, among the fine cast, Bass-Baritone Donald Gramm's deep, firm-voiced Gabriel only added to the success of the occasion...
...very mention of photography has long repelled serious easel painters, despite the fact that Corot, Cézanne and Manet all made use of the camera. Corot got the idea for his blurry landscapes from seeing an early silver print. Cézanne used photographs for his self-portraits. Manet painted his famed Execution of Emperor Maximilian from a news photograph...
...little quiet for a man who, after a few beers, tells with relish a story of how he convinced a Chinese chieftain in a Viet-Minh controlled village to sell 1200 pigs to the French army. The chief, he concludes, wanted to keep things quiet, and a few extra silver bars--"oil money" he says, rubbing his fingers--"didn't hurt either...
...beautiful sometime cripple portrayed bitterly as a discarded lover). The action is largely set against the party, usually in silent swing upstage, and much of it is filmed by a little boy with a movie camera who rejects Everyman's plea for companionship by saying, "My life's a silver screen: lots of hand-held stuff, but no adventure flicks." When Everyman misses, it does so by picking overeasy targets to snipe at: American dream complacency, religious hypocrisy, etc. But as in Mayer's Midsummer Night's Dream the reinterpretation of type is often shocking, always cunning. The archetypal morality...