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Word: silverman (lookup in dictionary) (lookup stats)
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...garbage plan was drafted by Leslie Silverman, professor of Engineering in Environmental Hygiene; Melvin W. First, associate professor of Applied Industrial Hygiene; and James Q. Wilson, associate professor of Government...

Author: NO WRITER ATTRIBUTED | Title: State Panel Approves Profs' Garbage Plans | 2/27/1964 | See Source »

...Leslie Silverman, professor of Engineering in Environmental Hygiene, and Melvin W. First, associate professor of Applied Industrial Hygiene, have asked Washington for $350,000 to put their ideas into practice. They expect the Federal Housing and Home Finance Agency to grant the funds before January, and a pilot incinerator vessel to be in operation...

Author: By Martin S. Levine, | Title: Professors Draft Boston Trash Plan | 10/14/1963 | See Source »

...craft, Silverman said yesterday, will probably be a surplus Liberty or Victory ship, which Congress can make available for it. He estimated it would cost $1,250,000 to make the necessary modifications, compared to the $2 1/2 - $3 million it would cost to build a land incinerator...

Author: By Martin S. Levine, | Title: Professors Draft Boston Trash Plan | 10/14/1963 | See Source »

...ship might also point the way to the solution of a growing national problem, since 70 per cent of the major urban communities in the United States border the ocean or the Great Lakes. According to Silverman, the per capita production of garbage has risen in recent years from two or four pounds a day, while it has become increasingly difficult to find suitable locations for incinerators and dumps...

Author: By Martin S. Levine, | Title: Professors Draft Boston Trash Plan | 10/14/1963 | See Source »

...nine movements of Le Marteau, Boulez presents three poems through the voice (Bethany Beardslee) and comments on them instrumentally. In each of the nine movements, Boulez uses a different ensemble chosen from the voice, alto flute (Harvey Sollberger), viola (Jacob Glick), guitar (Stanley Silverman), vibraphone (Paul Price), xylophone (Raymond Desroches), and percussion (Max Neuhaus). The texture of the sound is always clear, sometimes shimmering, sometimes punctiform, and always changing. With the flexibility of tempi and timbre goes an obvious fixity of notes and rhythmic patterns; certain intervals and rhythmic groupings recur constantly. And with all this planning, with all this...

Author: By Joel E. Cohen, | Title: Pierre Boulez | 3/19/1963 | See Source »

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