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...acknowledging that “some people may have found the ad offensive.” Even in its apparent submission, Snickers retained its credibility. Humor is subjective and, at times, meant to rattle its audience out of complacency; the biting wits of Stephen Colbert and Sarah Silverman are perfect examples. That someone took offense is not Snickers’ fault, but rather the fault of those who sit down in front of the television just looking for something to cry about...

Author: By Ari E. Waldman | Title: Gay? Grab a Snickers | 2/15/2007 | See Source »

...always have to watch myself when I go pee." The show lets the confession that she can't cry hang there without elaboration, but it suggests a pathos to the character that goes beyond pee jokes. "In music or poetry or movies, I'm a fan of heartbreak," Silverman says. "I think most of my stand-up is either silly, gratuitous bathroom humor or is heartbreaking, if you break it down by subject matter...

Author: /time Magazine | Title: Television: So This Woman Walks Into A Sitcom... | 1/26/2007 | See Source »

...Sarah Silverman Program may just be the closest that boutique cable comedy comes to a date movie: a little heartbreak for her, a little peepee humor for him. Silverman doesn't like to speculate on the show's gender appeal: "I just like to think of myself as a comic." But she may have ended up unwittingly rebutting Christopher Hitchens the best way possible: by having, and getting, the last laugh...

Author: /time Magazine | Title: Television: So This Woman Walks Into A Sitcom... | 1/26/2007 | See Source »

...performance, Neil took my arm, walked me down the alley, and said, 'Mike, so you really like my coat?'" Lavin recalls Simon's coming to rehearsal with a bad cold and remarking that even the clothes in his closet were sneezing. When one of Simon's daughters told Silverman, who plays Eugene Jerome, that he resembled pictures of Simon at the same age, the playwright turned and said, "The only piece of advice I have for you is 'Hold onto your hair...

Author: /time Magazine | Title: Neil Simon: Reliving A Poignant Past | 1/26/2007 | See Source »

Appropriately, it benefits from an impeccable production. Gene Saks and David Mitchell, who respectively directed and designed the earlier plays of the trilogy, have renewed their contributions to the aura of heightened naturalism. Jonathan Silverman, who replaced Matthew Broderick as Eugene in Brighton Beach and Biloxi Blues and in the Brighton Beach movie, adeptly handles the dancing sequence, and he is exquisitely funny as the family listens to his and his brother's first radio sketch: he keeps covering his face, then peering out with mounting horror as he realizes that they realize that he meant...

Author: /time Magazine | Title: Neil Simon: Reliving A Poignant Past | 1/26/2007 | See Source »

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