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...police and security agents around the city; helicopters whirred FABRY overhead, and sentries dotted the rooftops along the illustrious visitor's route. In 30 hectic hours, De Gaulle made no fewer than nine public appearances; with remarkable stamina for a man of 73, he visited the tomb of Simón Bolívar, spoke before members of Congress, accepted Venezuela's gold-chained Order of the Liberator, and bestowed the Grand Cross of the Legion of Honor on Leoni...

Author: /time Magazine | Title: Foreign Relations: De Gaulliver's Travels | 10/2/1964 | See Source »

Crown & Root. A tooth is not a sim ple cutting or grinding tool, but a complex piece of living matter. The part that shows, which dentists call the crown, is made of bonelike dentine wrapped in an enamel shell. The part that is hidden, which dentists call the root, consists of bonelike materials surrounding the root canal, which is filled with soft tissue, blood vessels and the tooth's nerve...

Author: /time Magazine | Title: Dentistry: The Limitations of Transplants | 5/8/1964 | See Source »

Such precautions greatly underrate the proved ability of ordinary people to be moved by art. As Venus reached Tokyo, French Critic Claude Roger-Marx wrote: "I am one of those people who believe that museums are not sim ply repositories and that masterpieces should not be condemned to immobility. They belong to all mankind." Minister of Culture Andre Malraux agreed. "To take a simple example," he said. "In Washington, poor women came with their children and approached the Mona Lisa with their eyes lowered, raised them to see it, then went into the crowd and came back again...

Author: /time Magazine | Title: Art: Priceless Peripatetics | 4/10/1964 | See Source »

Henry Clay Sim...

Author: /time Magazine | Title: Nation: WHERE THE BIRDS ARE | 1/10/1964 | See Source »

...says, contrasting versions of the same image-one controlled and disciplined, the other bursting. They neither draw the eye into spaces beyond or leap out to envelop it, for Gottlieb means them to be so flat that they will not violate the surface of the canvas and so sim ple that they can be absorbed at a glance. To Friedman, they suggest "the resolution of serene and aggressive elements" and hence "the paradox of civilized man." To others they are simply there, in all their stubborn purity-statements without any definite meaning and with little magic, but with a painterly...

Author: /time Magazine | Title: Art: The Blend's Best | 10/4/1963 | See Source »

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