Word: simeone
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...speaker was Herman J. Mankiewicz, ornament and outrage of many a dinner table in Bel Air--and also at Hearst's San Simeon, where he was a favorite of Marion Davies, keeping her giggling as they went outside for a swig. A former New Yorker drama critic and a full-time gambler, drinker and wit, Mank was the missing link between Hearst and Welles. Befriending the new kid, he proposed they write a life of a newspaper tycoon...
...Welles' too. And there were the famous liaisons with actresses: Welles wed three, Hearst one. For decades, while his papers denounced Hollywood morals, the old man lived openly with Davies, a comedian he foolishly tried to remake as Garbo. She stayed with him, good times and bad, in San Simeon (the "Xanadu" of Kane), his Spanish-Moorish-Italian "ranch" crammed with four millenniums' worth of trophies. It was your crazy uncle's attic, half the size of Rhode Island...
...which would be told with a subjective camera and would star Welles as Marlow and Kurtz--was deemed too pricey. Now, with Mank's unbilled help (the deal specified no screen credit for his script), Welles hoped to turn a jolly plutocrat into a tragic figure, swathe the San Simeon Sun King in the menacing shadows of movie melodrama. Kane would be Welles' Hearst of Darkness...
...that I want money. It's the fun of making money and watching it grow." As Lowenstein puts it, Buffett acquired while growing up "an overly reverent view of money's proper role, as if spending were a sort of sinfulness." Years later, on a tour of San Simeon, the William Randolph Hearst mansion in California, Buffett grew impatient with a guide and blurted out, "Don't tell us how he spent [his money]. Tell us how he made...
...single exception of the Madrid painter Luis Melendez (1716-80), whose massive arrays of boxes, wrinkled cheeses, copper cookware and glittering dorados or sea bream were disparaged as minor art by academic pooh-bahs and never won him the success he deserved. But other than France's Jean-Baptiste-Simeon Chardin, there was no finer still-life painter in 18th century Europe...