Word: simionato
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Dates: during 1950-1959
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...Rossi-Lemeni's commanding presence made it possible to schedule Mefistofele, Boris Godunov and Don Giovanni. Wagnerian Soprano Gertrude Grob-Prandl and Tenor Ludwig Suthaus were imported from Germany to do Tristan and Isolde and Die Walküre. At week's end, Italian Coloratura Contralto Giulietta Simionato and Tenor Cesare Valletti drew ovations in Massenet's rarely heard Werther. German Soprano Inge Borkh is on tap for Strauss's Elektra and Puccini's Turandot...
Also notable is Cetra-Soria's Aïda (6 sides LP). An Italian cast, including Tenor Mario Filippeschi, Soprano Caterina Mancini, Mezzo Giulietta Simionato and Baritone Rolando Panerai, gives a fine performance, as does the Orchestra and Chorus of Radio Italiana under Vittorio Gui. The recording is excellent. Less successful: Remington's Rigoletto (6 sides LP), performed by undistinguished soloists and a lackluster orchestra and chorus of Florence's Maggio Musicale. The recording is fair...
Rossini: The Barber of Seville (Luigi Infantine, tenor; Carlo Badioli, bass; Giulietta Simionato, mezzo-soprano; Giuseppe Taddei, baritone; Antonio Cas-sinelli, bass; orchestra and chorus of Radio Italiana, Fernando Previtali conducting; Cetra-Soria, 6 sides LP). Barber fans, used to hearing Rosina's arias trilled airily by a coy soprano, will be surprised to hear the role sung here by a more mature-sounding mezzo - as Rossini wrote it. Mezzo Simionato brings it off beautifully; so does Baritone Taddei as Figaro. Conductor Previtali keeps it sparkling throughout. Recording: excellent...