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Word: simon (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Harvard."), examines the go-go phenomenon, pedals fourteen laps around Central Park, and has 'the works' at Mr. Kenneth's in those New Frontier days when he did Jackie, Rose, Pat, and Eunice. She is at her best, perhaps, when dealing with Personalities. Truffaut, Albee, Stevenson, Noel Coward, and Simon McQueen (the weather girl) all make their appearances. "Campaigning I" and "Campaigning II," in which she deals with Robert Kennedy and Kenneth Keating during their Senatorial fight, are classic. Who could ever forget that breakfast in Scarsdale when "a couple of hundred women, all wearing suits, all with fresh hairdos...

Author: By Joseph A. Kanon, | Title: Lillian Ross's Collection Of Talk Stories Sparkles | 5/12/1966 | See Source »

SWEET CHARITY is kept aloft by Dancer Gwen Verdon, a one-woman whirlwind propelled by Director Bob Fosse's breezy choreography. Unfortunately, Neil Simon's book about a goodhearted doxy duped by love is woefully becalmed...

Author: /time Magazine | Title: Television: May 6, 1966 | 5/6/1966 | See Source »

HAPPY BIRTHDAY (Golden). A useful little platter to have around the house before cutting the cake. Its 15 favorite games from Blindman's Buff to Simon Says will keep the children busy and mother blissful for a tuneful 20 minutes each side...

Author: /time Magazine | Title: Television: May 6, 1966 | 5/6/1966 | See Source »

SWEET CHARITY is kept aloft by Dancer Gwen Verdon, a one-woman whirlwind propelled by Director Bob Fosse's breezy choreography. Unfortunately, Neil Simon's book about a goodhearted doxy duped by love is woefully becalmed...

Author: /time Magazine | Title: Television: Apr. 29, 1966 | 4/29/1966 | See Source »

When a 19th century artist set out to depict the Stations of the Cross, he could fall back on a ready-made iconography. The fifth painting, he knew, must represent Simon helping Christ shoulder the cross. Not so for an abstract painter, who must face the problem of portraying the progression toward Calvary without the props of episodic, cartoon-strip clarity, and at the same time strive to render its essential agony. Barnett Newman, 61, the most abstract of the U.S. abstract expressionists, made the problem even harder: he resolved to limit himself to his own astringent style, depict Christ...

Author: /time Magazine | Title: Painting: Of a Different Stripe | 4/29/1966 | See Source »

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