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...player and lead organizer of the Democracy Alliance is Simon Rosenberg, President of the New Democratic Network (NDN), and another candidate for DNC chair. Rosenberg is a good example of the recent solidaristic turn in Democratic thinking. Although he began as a centrist DLC Democrat, he has shown a strong willingness to transcend traditional ideological divides and his recent rhetoric is full of talk about moving “forward” as opposed to turning “left” or “right...

Author: By Sasha Post, THE PROGRESSIVE | Title: Democratic Decisions | 12/15/2004 | See Source »

...Richards' involvement in P.N.G. is believed to go back at least two years, when he was introduced to Musingku by Wavik. In 2003, Richards and his Magilno group arranged to install a satellite link, so they could liaise with Musingku over business deals. Magilno hired Australian Simon O'Keefe, initially a supporter of the Magilno concept, to set up the link. O'Keefe established a personal friendship with Ona; so much so that he was the only white man invited to the coronation, and was permitted to film it. But on his last attempt to enter the zone, the Queensland...

Author: /time Magazine | Title: Jungle Fever | 12/14/2004 | See Source »

Samuel M. Simon ’06 is a social studies concentrator in Eliot House. His column appears on alternate Tuesdays...

Author: By Samuel M. Simon, | Title: Let's Start With Wal-Mart | 12/14/2004 | See Source »

...genres covered by the Company and directors Vivian V. Kaufman ’05 and Jordan C. Walker ’07 extend much further than the title implies, from traditional Indian dance to modern interpretations of Simon and Garfunkel. The dancers, however, provided a sense of unity in their composed poise. The similarities between each of the seven performances are as striking as their diversity...

Author: By Mary AUGUSTA Brazelton, ON DANCE | Title: Review: ‘Classic N’ Country’ Showcases Ballet’s Enduring Grace | 12/13/2004 | See Source »

...next piece, “Cloud Nine,” is the most modern of the entire production. Set to Simon and Garfunkel’s “Cecelia,” the bright costumes of the dancers and strong drum rhythms mimic their playful, joyful style. The frenetic dancing reveals an impressive choreography by Kate M. Funderburk ’07; its jerky feel is intentional and mirrors the slapping and stomping of the music. Her interpretation of the music serves as a cheerful counterpart to the tragic first two pieces...

Author: By Mary AUGUSTA Brazelton, ON DANCE | Title: Review: ‘Classic N’ Country’ Showcases Ballet’s Enduring Grace | 12/13/2004 | See Source »

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